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A brush with... - A brush with... Cornelia Parker

A brush with... Cornelia Parker

Explicit content warning

04/05/22 • 65 min

2 Listeners

A brush with...

Cornelia Parker talks to Ben Luke about her influences, including artists, writers, film-makers, composers and musicians, and the cultural experiences that have shaped her life and work.


Parker, born in 1956 in Crewe, Cheshire, north-west England, makes works ranging from dramatic room-filling installations to subtle, ephemeral objects— some of the most profound, witty and thought-provoking art of recent decades. Common to her work are acts of transformation, from the violent to the surreal and the whimsical. She takes found objects and substances and through hugely varied processes lends them new, often multilayered, meanings. She discusses her early love of J.M.W. Turner, and the work she eventually made linking Turner with Mark Rothko. She recalls wrapping Auguste Rodin’s The Kiss with a mile of string, in a reference to Marcel Duchamp, and the controversy this intervention prompted in the press. She talks about the increasing concern with politics in her work, including two new works made for her Tate Britain retrospective opening in May 2022. And she answers the questions we ask all our guests, including those about the museum she visits the most, her daily studio rituals, and, ultimately, what art is for.


Cornelia Parker, Tate Britain, London, 19 May-16 October


Hosted on Acast. See acast.com/privacy for more information.

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Cornelia Parker talks to Ben Luke about her influences, including artists, writers, film-makers, composers and musicians, and the cultural experiences that have shaped her life and work.


Parker, born in 1956 in Crewe, Cheshire, north-west England, makes works ranging from dramatic room-filling installations to subtle, ephemeral objects— some of the most profound, witty and thought-provoking art of recent decades. Common to her work are acts of transformation, from the violent to the surreal and the whimsical. She takes found objects and substances and through hugely varied processes lends them new, often multilayered, meanings. She discusses her early love of J.M.W. Turner, and the work she eventually made linking Turner with Mark Rothko. She recalls wrapping Auguste Rodin’s The Kiss with a mile of string, in a reference to Marcel Duchamp, and the controversy this intervention prompted in the press. She talks about the increasing concern with politics in her work, including two new works made for her Tate Britain retrospective opening in May 2022. And she answers the questions we ask all our guests, including those about the museum she visits the most, her daily studio rituals, and, ultimately, what art is for.


Cornelia Parker, Tate Britain, London, 19 May-16 October


Hosted on Acast. See acast.com/privacy for more information.

Previous Episode

undefined - A brush with... Mark Leckey

A brush with... Mark Leckey

Mark Leckey tells Ben Luke about the influences—from art to literature, film and music—and cultural experiences that have shaped his life and work. Leckey’s enormously varied and experimental work sits on the cusp of digital and analogue worlds. Using video, sound, performance and installation, he explores the meanings and effects of images, consumer products, media and technologies, alongside themes including class and capitalism, interwoven with personal and collective histories. Deeply subjective and emotional, yet seeking universal truths, Leckey’s practice has made him one of the most influential artists working today. He discusses his preoccupation with pre-Renaissance icons, his early interest in Mexican Muralism, the influence of Lutz Bacher and Mike Kelley, his fascination with a range of musical artists, and his use of YouTube, TikTok and other platforms in making his work. Plus, he answers our questions about daily rituals, the one work of art he would choose to live with, and the ultimate question: what is art for?


Mark Leckey, Cabinet, London, until 30 April. You can find his latest works, as well as previous pieces like Fiorucci Made Me Hardcore and Dream English Kid on Mark’s YouTube channel.


Hosted on Acast. See acast.com/privacy for more information.

Next Episode

undefined - A brush with... Nari Ward

A brush with... Nari Ward

1 Recommendations

Nari Ward talks to Ben Luke about his influences—including literature, music and, of course, art—and the cultural experiences that have shaped his life and work. Ward often uses found materials, from baby strollers to baseball bats and shoelaces, and repurposes them in sculptures, wall-based text works and installations. They address present and historical social and political issues, including race and poverty, and deal directly with emotions like loss and hope. Ward was born in 1963 in St Andrew, Jamaica, and moved with his family to the US when he was 12. He now lives and works in New York, and specifically Harlem, which has been much more than the location of his home and studio—often providing the raw materials and the thematic basis of his art. The late curator Okwui Enwezor said of Ward that he had “completely transformed the scale and the ambition of installation art”. He discusses his early interest in the Brothers Hildebrandt, his direct references to Piero Manzoni and Joseph Beuys and his use of Claude McKay’s poetry and The Staple Singers’ lyrics. Plus, he answers the questions we ask all our guests, including the ultimate: what is art for?


Hosted on Acast. See acast.com/privacy for more information.

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