A BRIGHTER LENS

Anna Kerrigan is a Los Angeles-based filmmaker with a background in independent film, digital storytelling and theater. HOT SEAT, which she wrote and directed, premiered at the 2017 Sundance Film Festival. She also directed THE CHANCES, a digital series written by and starring two deaf actors, which also premiered at the 2017 Sundance Film Festival. We specifically chatted with her about her film Cowboys, which was a 2020 Tribeca selection, in addition to Outfest, Frameline, Nashville, Newfest, and Leiden. Anna won the award for Best Screenplay at Tribeca and the film won the Audience Award for Best Feature at Nashville Film Festival. And since we chatted, Cowboys got picked up by Samuel Goldwyn and will be released early next year!

Kyra Jones is a Black queer screenwriter, actor, and filmmaker based in Chicago. She holds a degree in Theatre and Gender Studies from Northwestern University. In 2019, Kyra co-wrote, executive produced, and starred in the award-winning web series,The Right Swipe (OTV), which was an official selection at Austin Film Festival, Urban World Film Festival, and several others. Her half-hour comedy pilot script, Good Vibes Only, has placed in several competitions, including the Sundance Episodic Lab, Diverse Voices, and the Nashville Film Festival. She's currently in pre-production for her first feature, Go to the Body, a boxing film that explores sexual violence in the Black community. Her extensive work as a sex educator and survivor advocate lends itself to her artistic endeavors, inspiring scripts that focus on Black women's experiences with relationships, sex, and intimacy. Since we chatted, Kyra’s script Good Vibes Only won Best Half Hour pilot at the Nashville Film Fest and Kyra’s feature Go To The Body won The Pitch at the Chicago International Film Festival. Kyra also just wrapped production on the proof of concept for Go To The Body.

This week, we chat with Jessie Kahnweiler about her short film He’s The One. Jessie first became known for writing, directing and starring in a short film called ‘Meet My Rapist’ that imagines Jessie bumping into her rapist at the farmer’s market, and then dating him. Jessie then wrote, directed, and starred in ‘The Skinny’, a dark comedic series based on her 10-year relationship with bulimia. ‘The Skinny’ was produced by Jill Soloway, Paul Young, and Refinery29, and premiered at Sundance. Jessie also developed ‘Viagra Diaries’ for CW, ‘Bump’ for ABC Digital, and staffed on ‘Skam AUSTIN’ for Facebook Watch. Jessie’s short film, ‘He’s The One,’ premiered at Sundance this year. She is currently writing a series for Sharon Horgan at the new streaming service, Topic, based on that short. Check out Jessie’s latest horror short, RETREAT, that she directed for Hulu.

This week, we chat with Kim Tran, a first-gen Vietnamese writer, director and comedian who once rode her bike from Texas to Alaska. Her films have been official selections of SXSW, Palm Springs ShortFest and Short of the Week. Her film Zoe and Hanh recently earned a Vimeo Staff Pick. She received the Michener Fellowship to pursue her MFA in Screenwriting and Playwriting at the University of Texas at Austin. As a writer, she has written for Amy Poehler’s Smart Girls, was a semifinalist for the Humanitas, NBC and Disney writing programs and a finalist for the HBO Pitch Competition at the Women in Comedy Festival. In her work, she explores messy Asian American women trying to find their way in the world. Since we chatted with Kim, some exciting updates have come up! Kim was awarded a development grant from the Austin Film Society to develop Zoe and Hanh into a feature film. The short played at Palm Springs Shortfest and will be playing at Hollyshorts.

For this week's episode, we talked with Bridget Moloney, back at the beginning of quarantine! Bridget is an award-winning writer and director working in television, film and commercials. We talk to her about the short film, BLOCKS, that she wrote and directed. She is also the writer/director of the independent television pilot I Was A Teenage Pillow Queen that premiered at the 2018 Tribeca TV Festival. Bridget shot Blocks while a member of AFI’s Directing Workshop for Women 2020. The AFI Directing Workshop for Women has been dedicated to advancing the number of women working professionally as narrative screen directors since 1974. The workshop annually provides eight gifted directors with immersive training in screen directing, professional development resources and inroads to the industry – all at no cost to participants. Blocks was an official selection at Sundance, SXSW, Brooklyn Film Festival, Women and Film Festival, Atlanta Film Festival, and Oxford Film Festival, and will be playing at this year’s AFI FEST. AFI Fest starts today, so buy a ticket to watch Blocks at FEST.AFI.com.