
#11 ANATOMIA (D. Ola Jankowska, 112 MIN. PL, 2021)
11/22/24 • 43 min
SYNOPSIS
Mika (Karolina Kominek) returns to Poland to meet her father who is suffering from a severe brain injury and inherent memory loss. Although they haven't seen each other for many years, upon her arrival she becomes the father's companion in perplexity – gently guiding him through the labyrinth of his fading mind. And as she does so, she gradually sets off on a journey through her own life. Gradually, the sense of time and space start breaking: the present blends with the long bygone past and places reveal their faraway history and memories. Slowly, life and its end, too, begin to blur. Shot on digital, 35mm, VHS and thermovision cameras, incorporating archive footage. A collage-like journey through time, memory and the origins of our identity.
ABOUT
Ola Jankowska is a Polish-born writer and director, based in Berlin and working internationally. Her first feature fiction Anatomia (Poland, France 2021) premiered in Venice 2021 as a part of Venice Days and has since screened at festivals around the world winning several prizes. Her first feature-length documentary I Was Here (Great Britain, 2019), co-directed with Nathalie Biancheri, premiered at CPH:DOX 2019. Ola’s work was also exhibited at the Polish National Gallery Zacheta. She studied Directing at Lodz Film School in Poland and the NFTS in the UK — as well as participated in programs such as TorinoFilmLab, CPH:LAB, European Short Pitch, Ekran+ or Zurich Masterclass. She also teaches creative writing to screenwriting students at the Lodz Film School.
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SYNOPSIS
Mika (Karolina Kominek) returns to Poland to meet her father who is suffering from a severe brain injury and inherent memory loss. Although they haven't seen each other for many years, upon her arrival she becomes the father's companion in perplexity – gently guiding him through the labyrinth of his fading mind. And as she does so, she gradually sets off on a journey through her own life. Gradually, the sense of time and space start breaking: the present blends with the long bygone past and places reveal their faraway history and memories. Slowly, life and its end, too, begin to blur. Shot on digital, 35mm, VHS and thermovision cameras, incorporating archive footage. A collage-like journey through time, memory and the origins of our identity.
ABOUT
Ola Jankowska is a Polish-born writer and director, based in Berlin and working internationally. Her first feature fiction Anatomia (Poland, France 2021) premiered in Venice 2021 as a part of Venice Days and has since screened at festivals around the world winning several prizes. Her first feature-length documentary I Was Here (Great Britain, 2019), co-directed with Nathalie Biancheri, premiered at CPH:DOX 2019. Ola’s work was also exhibited at the Polish National Gallery Zacheta. She studied Directing at Lodz Film School in Poland and the NFTS in the UK — as well as participated in programs such as TorinoFilmLab, CPH:LAB, European Short Pitch, Ekran+ or Zurich Masterclass. She also teaches creative writing to screenwriting students at the Lodz Film School.
More about 35K
https://www.35-k.de
https://www.instagram.com/35kfilmclub/
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#14 BREAD AND SALT (R. Damien Kocur, PL, 100 MIN, 2022)
A conversation with director Damian Kocur about his debut film BREAD AND SALT.
SYNOPSIS
Tymek is a young pianist. He returns to his small hometown for vacation to visit his mother, younger brother and his childhood friends. The central meeting spot for the young people is local newly opened kebab bar. Tymek witnesses the growing tension between his friends and the bar employees of Arabic descend, resulting in tragic consequences.
PRESS
Damian Kocur is a director, screenwriter, and cinematographer. Graduate of the Krzysztof Kieslowski Film School in Katowice and currently a doctoral student at the Lodz Film School. His debut BREAD AND SALT premiered at the Horizons section of the 79th edition of the Venice Film Festival, winning the Special Jury Prize.
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Next Episode

#16 SEVEN WINTERS IN TEHRAN (R. Steffi Niederzoll, 97 MIN. DU , 2023)
A conversation in german with director Steffi Niederzoll about her debut film SEVEN WINTERS IN TEHRAN
SYNOPSIS
In the summer of 2007, an older man approaches Reyhaneh Jabbari and asks the architecture student who has a side job as an interior decorator for her help in the design of offices. During the site inspection, he tries to rape her. Reyhaneh stabs him in self-defence. She is arrested for murder and sentenced to death. Reyhaneh was to spend the next seven years in prison while her family hired lawyers and made the public aware of the case. However, in spite of the efforts of national and international politicians and human rights organisations, the Iranian judiciary continued to cite the “right of blood-revenge”. This meant that, as long as Reyhaneh did not withdraw her accusations against the man, his family could demand her death. Reyhaneh stuck to her testimony and was hanged at the age of 26.
PRESS
The film premiered at the Perspective Deutsches Kino section of the 73th edition of the Berlinale Film Festival.
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