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Top 12 Sound Podcasts
May 18, 2024
The Best Sound Podcasts from millions of podcasts available on the Goodpods platform and ranked by listens, ratings, comments, subscriptions and shares.
Hollywood assistants Jackie and Greg work their way through Sight and Sound's "The 100 Greatest Films of All Time" list. Join them each week as they dissect, analyze, and ask questions about these universally agreed-upon masterpieces of world cinema.
Escape the daily grind and immerse yourself in the natural world. Rich in imagery, sound, and information, BirdNote inspires you to notice the world around you.
255 Episodes
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Avg Length 52m
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Latest episode 2 days ago
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This show focuses on the technical production of audio podcasts. Chris Curran chats with podcasters about their audio equipment, software and workflow to help you learn how to produce better sounding podcasts. You’ll also learn solutions to common audio issues as well as plenty of tips and tricks. By listening to this show you will gain a TON of knowledge and skills that will make a HUGE difference in your sound quality _and_ save you time! Subscribe/Follow today and start listening! Your host Chris Curran has a background in podcast production (Forbes, Dun & Bradstreet, J&J, etc) as well as music production (Sarah McLachlan, Jeff Buckley, Foreigner, etc). When he entered podcasting in 2012, he noticed that most podcasters (and producers) do not have a good understanding of fundamental audio engineering concepts, which sabotages the quality of their sound from the very beginning. This show, as well as Podcast Engineering School, helps podcasters and producers reach professional levels of podcast audio production.
266 Episodes
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Avg Length 55m
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Latest episode 10 days ago
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We discuss the scores, soundtracks and media music we love, along with a healthy dose of Disney!
46 Episodes
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Avg Length 35m
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Latest episode 2 days ago
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With "Secondhand Talent", we want to devote a platform to taking moments to shine the spotlight on those that manage the spotlights. We want to use this platform to highlight some of our incredible colleagues in the industry whose names you might otherwise never hear. Thank you for joining us - come along, stay a while!
LinkTree: https://linktr.ee/secondhandtalent
Website: www.secondhandtalent.com
30 Episodes
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Avg Length 21m
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Latest episode 4 years ago
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An insanely silly, yet utterly peculiar award-winning sketch show. The episodes - created by and starring John Dredge - feature sketches, surreal spoofs and sublime sound effects. There are five series to enjoy.
48 Episodes
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Avg Length 40m
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Latest episode 1 month ago
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Voices of Conscious Emergence with singer, innovatory educator, author and founder of The Naked Voice, Chloe Goodchild. "Given the turmoil that humanity faces – individually and collectively – I am inviting teachers and authors in the fields of sound, spirituality and the new sciences, to participate with me in unlocking and activating the tools and skills required for the evolution of courageous and compassionate communication. We will explore our diverse artistic disciplines as spiritual practice, highlighting the transformative power of communication on the planet at this critical time."
18 Episodes
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Avg Length 60m
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Latest episode 17 days ago
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you wanna be relax, calm & sleepy like a baby? this podcast is for you vous voulez vous reposez ou dormir comme un bébé? ce podcast est fait pour vous
12 Episodes
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Avg Length 15m
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Latest episode 8 months ago
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Noone, a timid young girl, is committed to The Counties Psychiatric Institute due to her ever-worsening nightmare disorder. She is placed under the care of The Counsellor who has dedicated his life to helping kids overcome their ailments, himself a product of childhood trauma. As Noone recounts her nightly torments during their sessions together, it becomes clear that her dreams unfold with a sinister life of their own. When The Counsellor realizes that her nightmares bear uncanny similarities to those of someone he loved dearly in his past, it unlocks a dangerous obsession inside him, and he grows desperate to find out what secrets hide inside Noone’s head.
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Available in other languages: FR - Le Bruit des Cauchemars, ES - El Murmullo de las Pesadillas, DE - Der Klang der Albträume, IT - Il Suono Degli Incubi
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Production by Bandai Namco Europe and Louie Media
Directed by Thomas Rozès
Music by Tobias Lilja and Thomas Rozès.
Written by Lonnie Nadler, Mike Bambridge aka SuperHorrorBro, Supermassive Games, It's Just Jord and Eugene Myers.
Our showrunner is Lonnie Nadler.
With Amy Purshouse as Noone and Kester Lovelace as Otto.
Based on Little Nightmares from Bandai Namco Europe
Little NightmaresTM & © Bandai Namco Europe S.A.S.
Hosted on Acast. See acast.com/privacy for more information.
A loose cannon podcast featuring casual conversations with whomever we deem interesting, often on the fringe, Like Coast to Coast, but on demand. Like a less compromised Joe Rogan Experience. Interviews on Spirituality, Alternative History, UFO's, and More
112 Episodes
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Avg Length 46m
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Latest episode 6 months ago
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The #1 feminist music tech podcast, featuring deep-diving episodes into all things music production and home recording and fascinating guest episodes with women making music with technology, hosted by Isobel Anderson.
¿Estás buscando aprender de audio en vivo y producción musical? En este podcast encontrarás información desde lo básico hasta lo avanzado en temas de audio y producción, negocios de la música, reseñas de equipo e instrumentos, entrevistas con especialistas, noticias actuales y más. ¡Visítanos en www.mixnsound.com para más contenido!
Check out these Sound Podcasts
Double Lives
New
A podcast exploring the joy and energy of live albums. Hosts James Hearne and Dan Drago highlight and obsess over the best live albums of our time, discuss the history and context of performances, and fall down the occasional rabbit hole, all while celebrating what they love about live music.
.t video HD
New
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100 Episodes
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Avg Length 13m
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Latest episode 14 years ago
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The Ultimate Disney Podcast Experience. A celebration of the magical sounds Disney in FULL STEREO SOUND, brought to you by "the Disney Sounds Guy" Paul Barrie. "A WindowToTheMagic" is a weekly journey into the wonderful world of Disney Theme Parks, and the sounds which make those parks so fantastic. Containing everything from Disney created "source audio" to sounds recorded "live" at the Disney parks, this is just the fix every Disney fan needs when they can't get to the park. Do you remember the Goodyear peoplemover? Do you love the Adventure thru Inner Space? Then this is the show for you! Search WTTM, WTTM24, Window to the Magic, and WindowtotheMagic for more information.
1 Episodes
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Avg Length 19m
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Latest episode 13 years ago
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Jure Detela, Iztok Osojnik, Iztok Saksida: Podrealistični manifest (1979) Podrealistični manifest je izšel leta 1979 v samozaloženih Zbranih delih I Edicije Pest (s. 78-100). Natisnila jo je Tiskarna Društva mišično in mišično-živčno obolelih v 50 izvodih. Enega od njih danes hrani Mednarodni grafični likovni center v Študijskem kabinetu grafike, knjig umetnikov in druge tiskane efemere. V okviru razstave 9 + 9 Knjige umetnika in umetniki (23. 11. 2010 - 8. 2. 2011) je Iztok Osojnik manifest prebral v petih terminih. Zvočna realizacija javnih branj ter produkcija in arhiviranje podcastov Podrealističnega manifesta je delo radioCona, besedilo manifesta pa je prosto dostopno tudi na Indija.si, spletni knjižni polici Društva za domače raziskave: http://www.indija.si/podrealizem/. termini branj: 1. december 2010 ob 17. uri 3. december 2010 ob 12. uri 15. december 2010 ob 17. uri 23. januar 2011 ob 12.30 uri 28. januar 2011 ob 16. uri
1 Episodes
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Avg Length 62m
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Latest episode 13 years ago
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Teza: Glasba je mrtva - naj živi glasba!? Prvi del teze je domislek, ki ga zadnja leta premleva Borut Savski, drugi del pa nedavni komplement, ki ga je pridodal Stefan Doepner. Seveda po vzoru na izjavo Kralj je mrtev - naj živi kralj (ali kraljica). Smisel originalnega klica je iskati v transcendenci - torej: en kralj je resda mrtev - a tu je že nov kralj (ali kraljica). Sistem kraljevanja se torej kljub smrtnosti posameznega kralja ohranja - dinastija pač. V tej luči je smrt glasbe potem le eden od rotacij - cikličnih dogajanj, ki imajo pač svoje nižke in viške. Zanimivo je k temu vzporediti še eno nekaj desetletij staro izjavo o koncu zgodovine (Francis Fukuyama), ki se jo da verjetno cepiti tudi na sočasne pomisleke o koncu ideologij. Iz zadnjega pomisleka - v asociaciji s holivudskim kulturnim memom (gen=biološki temeljni gradnik; mem=kulturni/spominski temeljni gradnik/vzorec) - izjavo iz filma Highlander (”There can be only one”) - lahko izvlečemo spoznanje, da konec (=smrt) lahko pomeni tudi redukcijo na eno ideologijo, eno zgodovino. Eno glasbo? Glasba, kot smo jo poznali v prvi polovici 20. stoletja ni bila sama sebi namen. Bila je izraz nečesa. Česa? Različnih idej, ideologij, možnosti razvoja - od enostavnosti proti kompleksnosti - usmerjenosti v prihodnost - vsaj na videz v razne smeri napredujočih družb. Lahko bi rekli usmerjene zgodovine. Te zgodovine ni več. Tudi glasba se zdi, da se je v pol stoletja trošenja na trgu iztrošila. Kaj ji manjka? Ideologij. Borut Savski
4 Episodes
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Avg Length 5m
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Latest episode 2 days ago
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The format of this podcast is changing and will include topics from my upcoming book The Theory of 8. Spiritual Healing Chat - interviews with healers about various spiritual healing topics and modalities. Spiritual Alchemy Energy Transfigurations The PODCAST Spiritual Alchemy Do you have an interest or questions about Alternative Healing Modalities? Are you a healer that would like to discuss what you do or would like to discuss spiritual healing topics? The paranormal, conspiracy theories, spiritual healing and anything "Woo woo for Your Boo Hoo"!
11 Episodes
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Avg Length 3m
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Latest episode 5 years ago
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Cosmic Sound for Deep Meditation. Feel inspiration by listening to the Om, the Pranava Mantra, the Cosmic Sound. Use Om to start your meditation, to uplift your spirit, to feel new energy. Recitations from various sources, mostly from Yoga Vidya Ashram Germany.
1 Episodes
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Avg Length 58m
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Latest episode 13 years ago
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Marko Batista and Nataša Mušević (text by: Luka Zagoričnik) Marko Batista belongs to the younger generation of Slovene multimedia artists. Splitting his time and creative efforts between London and Ljubljana, Batista – like the majority of Slovene contemporary artists – creates and presents his work with far more success abroad than at home, where there is a considerable lack of both appreciation and venues for this kind of artistic expressions. At least we thought so years ago, when Marko Batista started to appear in the spaces which are today considered places for sound art or multimedia experience. Marko Batista first appeared in Slovene contemporary sound landscape as a member of Klon:Art:Resistance, which he co-founded with Miha Horvat. Marked by the digital milieu of video art, noise, and the pulse of harder electronic dance practices with occasional echoes of underground dub, this heterogeneous art collective at the time persistently rubbed the image with its guerrilla interventions into our, now trendily-called urban cultural space, from galleries, festivals, to clubs. Klon:Art:Resistance thus entered the emerging techno culture in Slovenia in a rather specific and unique way – it introduced it with artistic intervention. This manner of space as well as perception intervention can be gathered from Batista’s performance titled ‘Error Trash v.1.3’, a sound intervention and audiovisual project, grounded in imperfections of data transmission, in information interruptions, contortions, and distortions on their way to the receiver via connectors, laptops, and wireless communication networks within the web of digital technology. Disruptions and interferences lie at the very heart of noise and contemporary electronic music; similarly, they can be found in many Batista’s projects, in their core which lies in the investigation of the current media and technological society. This investigation can be construed as a consistent idea, which Batista often obscures, distorts by layering the information into a web of noises generated by technology, both analogue and digital, into a web of information, visual and sound mediated, which are passed over as distortions in all their intensity. Interpreted as a break or interference, noise can be juxtaposed in opposition to music. However, precisely by becoming a genre, noise re-enters music as a specific deconstruction. Seen in this context, a certain segment of Batista’s work can be understood as a musical experience, even though his individual projects involve experiences of different kinds and qualities that join and disjoin different media, which network, overlap, envelop, and are split into heterogeneous experiences. All things considered, we need to bear in mind that Batista’s first medium is visual art. He graduated from the Academy of Fine Arts, Ljubljana, in 2005, and still as a student, presented his work at the 50th Venice Biannual in 2003 in the frame of the collaborative project ‘VV2 Recycling the Future’. In 2007, Batista finished his formal education by earning a Master from ‘fine arts’ in London. The above mentioned work-in-progress ‘Error Trash’ was presented at Ars Electronica in Linz in 2008 within the frame of the project ‘Ecology of Techno Mind’, organised by Kapelica Gallery, while this year Batista appeared at the Berlin-based ‘transmediale’ with the work ‘Syphone:Sys:Apparatus’. His 2010 work ‘Hybrid Sound Machines’ marks Batista’s break into the hybrid field between the mechanic and the digital. Here, Batista embodied, through the medium of sound, an intertwinement of wires, digital technology, mechanisms, and mechanic transmissions of different sound signals that are continually shifting between meaning and meaninglessness of signal and noise. Through this hybrid technological disposition (a fusion of mechanics, electronics, and ultimately art, in this particular instance, contemporary electronic music with a minimalist visual component of undulating, evenly pulsa
12 Episodes
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Avg Length 73m
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Latest episode 3 years ago
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everywhere enjoy our sound
1 Episodes
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Avg Length 18m
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Latest episode 13 years ago
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Jure Detela, Iztok Osojnik, Iztok Saksida: Podrealistični manifest (1979) Podrealistični manifest je izšel leta 1979 v samozaloženih Zbranih delih I Edicije Pest (s. 78-100). Natisnila jo je Tiskarna Društva mišično in mišično-živčno obolelih v 50 izvodih. Enega od njih danes hrani Mednarodni grafični likovni center v Študijskem kabinetu grafike, knjig umetnikov in druge tiskane efemere. V okviru razstave 9 + 9 Knjige umetnika in umetniki (23. 11. 2010 - 8. 2. 2011) je Iztok Osojnik manifest prebral v petih terminih. Zvočna realizacija javnih branj ter produkcija in arhiviranje podcastov Podrealističnega manifesta je delo radioCona, besedilo manifesta pa je prosto dostopno tudi na Indija.si, spletni knjižni polici Društva za domače raziskave: http://www.indija.si/podrealizem/. termini branj: 1. december 2010 ob 17. uri 3. december 2010 ob 12. uri 15. december 2010 ob 17. uri 23. januar 2011 ob 12.30 uri 28. januar 2011 ob 16. uri
Stories that connect us more deeply with birds, nature, and each other.
13 Episodes
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Avg Length 29m
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Latest episode 1 year ago
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Building a successful worship ministry doesn't just happen. It takes spiritual preparation, musical excellence, and technical know-how, all working together. Join Fred Guilbert and Dana Harding as they give you tips on how to use the tools you have to improve your worship ministry.
Chicken Pi
New
Chicken Pi: Twisted tales intended for a mature audience. Horror, sci-fi, sci-fi/horror, and WTF. Be sure to subscribe to Chicken Pi; more twisted tales will be added.
219 Episodes
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Avg Length 43m
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Latest episode 3 years ago
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Two passionate audio engineering nerds --- Kush Audio gear designer and avowed analog snob Gregory Scott, and ITB mixing pro Nathan Daniel --- crack themselves up while answering listeners' questions about everything from gear and plugins, to the psychology of mixing, to what makes a song grab the listener's ears and heart and how to get more of it into your productions. Whether you mix professionally on a 9000J or in your bedroom on Cubase, these ballbusting fanatics of sound will spark your thinking in creative new ways, help you bust out of your own limiting habits, and get you laughing in the process.
57 Episodes
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Avg Length 48m
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Latest episode 7 years ago
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House Podcast from Ricky Simmonds. Follow on twitter @RickySimmondsDJ. Official DJ for Ministry of Sound and Capital FM. Label Manager to “the world’s biggest smallest label” Love & Other - DMC world magazine.
7 Episodes
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Avg Length 50m
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Latest episode 1 year ago
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A mysterious curse. A grim investigation. A fearful village. All evidence points to something wicked. The fate of a girl is to be decided. In a world besieged by superstition and fear, the embittered and skeptical inquisitor Marcus Blackwood travels to the borderland village of Westgrave to investigate the curious case of Mary Shaw. Rumours of a curse are abound. An unsettling fog has settled upon the land, and those who wander those lands speak of a woman stalking the land.At the heart of the mystery, Mary Shaw’s life teeters on the edge of salvation as dark powers muster around her. Accompanied by his loyal apprentice, can Blackwood overcome his own suspicions and uncover the truth? Or will the truth force him to sacrifice more than he is willing to part with? Blackwood: A Gotheim Tale is a binaural audio adaption of Clyde Davis' debut dark fantasy novel. It uses narration and sound design to immerse the listener and place them at the center of the action.
1 Episodes
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Avg Length 71m
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Latest episode 13 years ago
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Ilari Valbonesi - The Paradigm of Listening (Sound, Voice, Body, Audience, Radio Art Sound is attractive. It catches the ear, enchants, disturbs, and scares. But it is also imperative. Sound is both a means and an end. The decisive interest devoted to the "strange" reflexivity of sound became a paradoxical instance of art, music and philosophy in the twentieth century. Further, it has encouraged the emergence of a genuine "paradigm of listening" from which I take steps to trace the event of a conceptual category of plastic art so called Sound Art : Art of Sound, that reflecting on itself, defines its own historical context. Sound hits us where our disposition is already a move towards the "given" sound, for that hearing which accords and affords us whatever there really is to hear. Which means there is an "eventual" sound, which happens in-between me and the things in-between me and others: Sound originates "elsewhere" even though we are implicated. The sound of the voice is also erotic. It's like an intercourse in between own and alien. It's magnetic and it orients us in space, it defines boundaries and mixes the real and the imagined. We can experience the public nature of the audience, the spatiality of sound in its symbolic occurrences in buildings that accommodate the aesthetic experience of sound: the theatre, concert hall, the square from the gallery, and the auditorium of the woods. But this is not the proper meaning of sound in space, nor qualifies its access to a space. Sound is more of a timeless space. The body itself is an instrument that records its environment while reconfiguring existing environments. In 2004 I coined the phrase ‘Acusmatic ethics’ to describe the interspecific character of sound and its synthetic temporality. If we understand that listening to something is to record it, recording itself is also a kind of ‘answering’ behavior. Obviously, radio, tapes, samplers are able to isolate, alter and focus the processes of distribution and use of sound. But in this direction, "synthetic" claims is more of a "critique" of instruments and traditional research, including electronic, plastic art that belongs to music "educated" and that "popular" and doesn’t seem to characterize a specific field. This brought me to think of Radio as ethical space of sound and special environment of trading cultures and languages of contemporary art. written by: Ilari Valbonesi
40 Episodes
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Avg Length 57m
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Latest episode 3 years ago
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Accede à tous le meilleur du son club mixé par JULE MAESTRO en cliquant sur S'ABONNER, Choisi ton mixe dans la liste ci dessous et clique sur OBTENIR L'EPISODE puis rend toi dans BIBLIOTHEQUE section PODCAST. 1 accés aux illustrations imagés. clic sur l' icone représenté par une fleche entouré d' un carré en bas de la page. 2 accés direct a chaques titres. clic sur CHAPITRE dans le menu et choisi ton titre. 3 téléchargements des mixes. clic droit sur les mixes et clic sur CREATION VERSION MP3. 4 accés a l' offre TON MIXE DIFFUSE SUR LA DJWEBRADIO envoye ton mixe à [email protected] offre limité et aprés séléction du mixe 5 accés a l' offre MIXE DE GRAND DJ clic sur OBTENIR L'EPISODE en face des mixes DECOUVRIR DJs Si tu rencontre un probleme n' hesite pas à laissé un message en page d' acceuil dans la section AVIS DES UTILISATEURS en dessous de DESCRIPTION DE PODCAST et de la photo principale du podcast.
12 Episodes
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Avg Length 1m
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Latest episode 16 years ago
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HOW TO: Pro Tools-TIPs is a FREE weekly HOW TO: podcast providing quick tips for getting more out of your Digidesign Pro Tools rig. Beginners and advanced users (HD, LE and M-Powered), alike will find value in these concise, informative, one of a kind tutorials. For additional and full length tutorials including larger 16x9 screen sizes, added content, special features, prize drawing give-aways and optional iPhone feeds, check out the HOW TO: Pro Tools-PREMIUM podcasts at www.tutorialdepot.com. TutorialDEPOT HOW TOs are designed with a 3 screen approach, so weather you're viewing on your iPod/iPhone, desktop, or large screen AppleTV rig, the HOW TO: Pro Tools unique tutorials are your best source for learning Pro Tools anyway, anywhere, anytime. Author Steve Thomas and Producer Steve Albanese are Pro Tools and DAW veterans. The Steve team have authored books on the Pro Tools, Digital Performer and Digital Audio and have been producing tutorial videos for ove ten years. Subscribe today!
39 Episodes
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Avg Length 39m
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Latest episode 18 days ago
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The Rest Is Just Noise is a monthly podcast exploring the relationship between sound and our cities. Each episode our passionate and excitable hosts (three soundscape researchers) are joined by an expert guest from fields such as acoustics, architecture, and environmental psychology, to discuss their latest work and introduce our audience to the science, beauty, and noise of urban sound.
From the announcement of the 2023 ASA Science Communication Awards for Acoustic Expert Multimedia Winner:
"The Rest is Just Noise Podcast stands out as a remarkable audio journey into the realm of acoustics. With deep knowledge and captivating storytelling, co-hosts Dr. Andrew Mitchell, Dr. Francesco Aletta, and Dr. Tin Oberman explore various acoustical phenomena and their impact on our lives. Through interviews with experts and immersive soundscapes, this podcast educates and entertains listeners, creating a space where the beauty and significance of acoustics are celebrated."
1 Episodes
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Avg Length 103m
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Latest episode 13 years ago
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IRENA TOMAŽIN (text by: Luka Zagoričnik) Dancer, choreographer, performer, actress, philosopher, and vocalist Irena Tomažin made her first appearance in the area of music with the group Kapricjoke, which appeared also in the Concert Marathon organised by Radio Student. However, her most noteworthy debut presentation in the field of sound was made with a solo recital iT for voice and voice recorders, in which Tomažin ingeniously weaves the story through the primary human instrument – the voice. Hers is not a trained voice based on clear articulation and technical brilliance. Quite the contrary, its power of expression draws precisely from the failure of articulation, from its incessant attempts to constitute itself, with which it often drifts away from the field of meaning and enters the field of sound. We are dealing thus with a fragile voice, a voice in search of itself, which nevertheless has a profuse emotional and expressive potential. At the same time, it is also an alienated voice, which is – since it is recorded on dictaphones – becoming an acousmatic object, alienated from corporeality, but which is re-entering the semantically structured storyline through repetitions of sound loops and tape manipulation. Voice, a fundamental corporeal experience, is traversed by countless voices, multiplying, dissolving, and confronting their own semantic and sound resonances in space. To dramaturgically round up her (sound) narration, Irena Tomažin artfully, sometimes movingly, and sometimes playfully, employs different means: from adopting and breaking the tunes from the sphere of popular music, theatrical story-telling to playing with the words’ syllables and their rhythm, dismantling the words in the style of literary modernisms and avantgardisms of the previous century, or reducing the voice to panting, smacking, sighing. However, in so doing she is still allowing multiple voices to speak at the same time, in harmonies and cacophonies. Although her creativity can be compared to certain more visible contemporaries (such as Meredith Monk, for example), Tomažin’s performance is unique in its child-like playfulness, which is occasionally also capable of sparkly self-reflection. Although her performance ever-so-slightly implied a rather schizophrenic story of submission, which addressed the audience through multiple voices simultaneously, these voices nevertheless incessantly communicated in the in-between space of the word and condensed meaning. Recently, appearing as iT, Tomažin’s voice is dissolving from a structured and distorted one, from veiled polyphony, to a naked voice, which is ultimately left almost voiceless, residually remaining in the body, where the possibilities and the impossibility of its articulation are taken over by gesture, movement. As iT, Irena Tomažin as a matter of fact thinks voice through heterogeneous trains of thought, which intensely, via extremely personal experience, traverse one another. This discloses her experience as a philosopher who confronts her thought with other thinkers of the voice, such as, for example, Mladen Dolar or Jacques Derrida, or literature, such as, the literary thought of Samuel Beckett, or the thinking of Antonin Artaud on contemporary theatre, or the melodies of most diverse traditions. As iT, Irena Tomažin performs at home and abroad, also in important international festivals, such as Club 5 in Vienna, Dispatch in Belgrade, Densités in France, and Ultrahang in Budapest. In recent years, she has also lent her voice to free improvised music, collaborating with numerous home and foreign makers. These include the bassist Tomaž Grom, the multitalented musician Andrej Fon, the saxophonist Marko Karlovčec, and others. With the latter she also released a record ‘That Which Happens Is Itself Dripping Red’. Internationally, she is collaborating with the American brass musician Liz Allbee, the Japanese percussionist Seijiro Murayama, and others. As a dancer and performer, Tomažin collab
Get lost in the wilds of Theater in the Woods. PODs departing and arriving monthly.Every second Sunday at 10:01PM PSD.
1 Episodes
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Avg Length 17m
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Latest episode 13 years ago
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Jure Detela, Iztok Osojnik, Iztok Saksida: Podrealistični manifest (1979) Podrealistični manifest je izšel leta 1979 v samozaloženih Zbranih delih I Edicije Pest (s. 78-100). Natisnila jo je Tiskarna Društva mišično in mišično-živčno obolelih v 50 izvodih. Enega od njih danes hrani Mednarodni grafični likovni center v Študijskem kabinetu grafike, knjig umetnikov in druge tiskane efemere. V okviru razstave 9 + 9 Knjige umetnika in umetniki (23. 11. 2010 - 8. 2. 2011) je Iztok Osojnik manifest prebral v petih terminih. Zvočna realizacija javnih branj ter produkcija in arhiviranje podcastov Podrealističnega manifesta je delo radioCona, besedilo manifesta pa je prosto dostopno tudi na Indija.si, spletni knjižni polici Društva za domače raziskave: http://www.indija.si/podrealizem/. termini branj: 1. december 2010 ob 17. uri 3. december 2010 ob 12. uri 15. december 2010 ob 17. uri 23. januar 2011 ob 12.30 uri 28. januar 2011 ob 16. uri
14 Episodes
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Avg Length 70m
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Latest episode 10 years ago
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Brought to you from their luxurious corporate office, dynamic duo and co-owners of Danger Limited Sound (he's mostly a dick, and she is always sweet). They provide a uniquely entertaining experience centered around their views on life, art and music. This sometimes times vulgar, always opinionated, and mostly arrogant podcast is not recommended for the faint of heart... Don't worry, it's not loaded.
10 Episodes
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Avg Length 3m
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Latest episode 11 years ago
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This podcast is brought to you by the students of the Digital Media Arts (DMX) Program at Touro College in NYC. Topics discussed are basic principles of acoustics, sound waves, hearing, digital audio hardware, software and all things audio.
1 Episodes
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Avg Length 76m
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Latest episode 13 years ago
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None
119 Episodes
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Avg Length 1m
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Latest episode 14 years ago
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HOW TO: Digital Performer-TIPs is a FREE HOW TO: podcast providing quick tips for getting more out of your Digital Performer rig. Beginners and advanced users alike will find value in these concise, informative, one of a kind tutorials. Are you using Pro Tools, Logic Pro, Cubase SX, Nuendo, Reason, Abelton Live, or Calkwalk's Sonar for you audio production? If so, check out HOW TO: Digital Performer to see how DP stacks up to your DAW. For additional and full length tutorials including larger 16x9 screen sizes, added content, special features, and optional mobile phone feeds, check out the HOW TO: Digital Performer-PREMIUM member subscription at www.tutotialdepot.com.
1 Episodes
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Avg Length 43m
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Latest episode 13 years ago
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Co-effectuation: Maja Delak and Luka Prinčič alias Wanda & Nova deViator (text by: Tea Hvala) The collaboration between Maja Delak and Luka Prinčič began last year with the performance Ways of Love and continued with Frozen Images – the latter was credited to pseudonyms Wanda and Nova deViator. Maja Delak is this year’s recipient of the Prešeren Foundation Award, a choreographer and dancer, who has behind her a considerable number of collaborations with different musicians, dancers, actors, and choreographers. The same goes for the musician, DJ, and intermedia artist Luka Prinčič, who first appeared as a performer precisely in the joint projects with Maja Delak, while in this exchange, Wanda picked up the microphone for the first time, wrote the lyrics for their trippy electro tracks, and also sang them. Their projects intertwine many – often colliding – languages: rhythm, voice, music, noise; video, photography, theory; manifestoes, poetry. It seems that their reparatory investigation, this courageous picking up from all over, wagered on the possibility of their own surprise over the outcomes of their collaborative process and over what may emerge from their overlapping, dissonances, resonances, slips, and congruencies. It seems that their wager is won – as they have offered to the home audiences a new aesthetics and politics; well, at least to that part of the audience who had missed or overlooked the Ljubljana-based queer dissidents from the 80s. Maja Delak and Luka Prinčič's performative events scream with punk ethics and kitchy porn chic aesthetics, which come together also in Western grassroots or DIY feminism of the “third wave”. I was reminded of the fact that this feminism skirted the borders of our country precisely at their appearance at the International Feminist and Queer Festival Red Dawns, where Frozen Images resonated as a genuine manifesto! It was a moment of relief and joy and empowerment, because the authors intentionally and unbendingly, passionately and sexily, approached the themes that are rarely dealt with in our space, certainly not at the same time: lust for enjoyment, anxiety, hypersexualisation and pornification of our bodies, violence, idealisation of love, and of course – the motor of everything – consumerism. Ways of Love meander between the sampled, or temporarily “frozen”, scenes of two types of gender roles: those marked with violence and those founded on consensual submission and dominance. The insight into how to become aware of the power relations in relationships and how to break the vicious circle of violent love is disclosed in the performance precisely with the emptying of form – which could not be other than violent and painful. The second performance event, Frozen Images, raised a possibility of stirring up and overcoming the violence we exert over ourselves under the pressure of buy-and-sell images of Sex Appeal, Beauty, Health, Youth, and Success – with laughter. With lust. With objectifying to our own taste. With our own perverseness and again – with love. This sumptuous and made-for-all-senses multimedia work by Maja Delak and Luka Prinčič is a genuine cut’n’paste, a swift image and sound collage that allows for many readings and listenings, many feelings and reflections. But only after one tears away from the fleeting images and voicings; only after one dances to the wild riot grrrl version of You Don’t Own Me, with Wanda and deViator jumping all over the stage. And this may very well be the most beautiful achievement or co-effectuation Maja Delak and Luka Prinčič’s collaboration: their accessibility and clarity – despite the work’s decentredness – makes their work is inspiring and empowering. Ultimately also because the “you” from You Don’t Own Me does not refer to a man made of flesh and blood but rather to Martell or some other corporation that imposes patriarchal patterns of behaviour for everyday use.
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Avg Length 25m
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Latest episode 8 months ago
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Nessi, una ragazzina schiva, è ricoverata nell'Istituto Psichiatrico delle Contee a causa di un disturbo del sonno in continuo peggioramento. Viene affidata alle cure del Dottore, il quale ha dedicato tutta la sua vita ad aiutare i bambini a superare i propri disturbi ed è egli stesso vittima di un trauma infantile. Man mano che Nessi racconta i propri tormenti notturni, risulta evidente quanto i suoi sogni si sviluppino come se avessero vita propria. Quando il Dottore capisce che questi incubi nascondono inquietanti similitudini con quelli di qualcuno che lui amava in passato, una pericolosa ossessione si scatena in lui, mentre cerca disperatamente di scoprire quali segreti si nascondono nella mente di Nessi.
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Questa serie è un adattamento della produzione originale "The Sounds of Nightmares", prodotta da Bandai Namco Europe e Louie Media, e diretta da Thomas Rozès.
Una produzione Bandai Namco Europe e Keywords Studios
Diretta da Alessandro Lussiana
Musiche di Tobias Lilja e Thomas Rozès.
Scritta da Lonnie Nadler, Mike Bambridge aka SuperHorrorBro, Supermassive Games, It's Just Jord e Eugene Myers.
Adattamento Italiano a cura di Giuseppe D'Ercole.
Lo showrunner è Lonnie Nadler.
Con Veronica Cuscusa nel ruolo di Nessi e Valerio Amoruso nel ruolo di Otto.
Basato su Little Nightmares di Bandai Namco Europe
Little NightmaresTM & © Bandai Namco Europe S.A.S.
Hosted on Acast. See acast.com/privacy for more information.
1 Episodes
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Avg Length 89m
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Latest episode 13 years ago
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Luka Juhart - (text by Luka Zagoričnik) The accordionist Luka Juhart belongs to that generation of young Slovene musicians, performers, and interpreters who are enthusiastically, painstakingly, and passionately devoted to contemporary music repertoires. That is, to performing contemporary classical music works of the past century and current compositions of foreign and home composers, with whom Juhart collaborates very closely already during the composition process. These compositions often balance precariously on the verge of performability, on the very edge, which not only demands exceptional skills and a refined ear for music – thus intentionally or unintentionally nurturing the virtuoso in the performer himself – but also a considerable ability to co-create, to participate in decision making, and to offer initiatives and decisions about how to read the music and other composition materials. Juhart attracted the attention of the Slovene wider public with compositions by Vinko Globokar and by Uroš Rojko, with whom he often appears in smaller chamber ensembles. Juhart has completed the bulk of his studies abroad, as an instrumentalist. After graduating from Maribor Music High School under Prof. Andrej Lorber, he enrolled to the class of Prof. Hugo Noth at the Academy of Music in Trossingen, Germany. In 2005, he graduated from music pedagogy and in 2006 received an art degree. In 2008, Juhart completed his Master’s degree in the class of Prof. Stephan Hussong at the Academy of Music in Würzburg. Juhart is a multiple winner of international and national competitions, the recipient of the 2001 Roman Klasinc Award for exceptional achievements, the 2002 recipient of the DAAD foundation award for best exchange student at the Academy of Music in Trossingen, Germany, the recipient of the Iris Marquardt Preis Award for best student of the same school, and the 2008 recipient of the Golden Bird Award for music. Besides recording for numerous national and foreign radio stations and collaborating with countless prominent home and international chamber, orchestral, and other ensembles, Juhart spends most of his talents collaborating with the contemporaneous generation of composers. Among others, he has collaborated with Thomas Larcher, Klaus Huber, Eduardo Demzo, Volker Heyne, Adrian Seiber, and Stefan Beyer. At home, he regularly collaborates with Vinko Globokar and Uroš Rajh, and among the younger generation of composers with Bojana Šaljič Podešva and Matej Bonina, for example. His interpretation of Matej Bonino’s composition for accordion, percussions, and a plastic tube ‘One Man Band’ premiered this year in the event ‘Forgotten, Overlooked’, while in 2008 Juhart boldly entered the field of electroacoustic music with a composition for accordion and magnetic tape ‘Meditation on Presence’, composed by Bojana Šaljič Podešva. This year, Juhart appeared alongside Aventure Ensemble and the Freiburg Anton Webern Choir in Uroš Rojko’s work ‘King David’, which was performed in Slovenia and abroad. He also participated as a soloist in Vinko Globokar’s composition for accordion, percussions, the choir, and orchestra ‘Radiographie d’un Roman’, which was performed at this year’s edition of Donaueschinger Musiktage. Juhart is noted not only by a broad repertoire, encompassing a wide range of classical works, not only by virtuosity and an ear for contemporary streaming in music, but also by his playful attitude toward extended performing techniques, toward electronics, and electroacoustic sound, as well as by flirting with performativity, such as is needed, for example, in the interpretation of the extremely demanding Vinko Globokar’s piece ‘Dialogue Uber Luft’, which Juhart performs regularly. Alongside redefining the accordion in the Slovene space, with which he is stepping into a circle of contemporary Slovene accordionists, such as Bratko Bibič, Marko Hatlak, and others, Juhart’s main value and distinction lie precisely in his ear for the works o
17 Episodes
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00Latest episode 14 years ago
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Morphed Productions and Synchronicity Frequency - Projects in sound design, music and audio production, live and recorded audio, live electronics and controlerism, performances, free music and album releases. Get Morphed! This is a multimedia podcast and some files are not supported by iTunes. To be sure to receive all podcast media, please subscribe to the original podcast feed from the blog at morphedproductions.blogspot.com. morphedproductions.com. synchronicityfrequency.com
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Avg Length 58m
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Latest episode 13 years ago
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BOJANA ŠALJIĆ PODEŠVA Bojana Šaljić Podešva, a composer of electroacoustic music, music for acoustic instruments, contemporary theatre, puppet theatre, film, and dance, is not only one of the few female makers in these areas, but also one of the few composers of electroacoustic music following the tradition of musique concrete in general in Slovenia. She is a member of the Society of Slovene Composers – Section for Electroacoustic Music and is, along Bor Turel, also one of the most visible representatives of this genre in Slovenia. Šaljić studied music in secondary schools in Maribor and Ljubljana and later at the Academy of Music in Ljubljana. Already during her studies, she was the recipient of many awards and scholarships, which brought her, among other, also to the Gaudeamus Music Week in Amsterdam. She completed her postgraduate studies in electroacoustic music in Vienna and later received many scholarships and attended numerous international residencies, for example, in Switzerland, Sweden, and France. Her work has been widely presented in international festivals and on home stages. Šaljić readily says about her work in electroacoustic music that it is committed to ‘allowing a certain Music to be born, music that wants to bring colour to a piece of this world. I find ways to do this by immersing myself into Sound that I form and which forms me, purely physically and with the energy it gives’. This slightly romantic aspect can be identified, for example, in the electroacoustic composition for accordion and magnetic tape ‘Meditation on Presence’, performed by the young accordionist Luka Juhart. ‘Meditation on Presence’ by Bojana Šaljić Podešva addresses us with a subtle fusion, intertwinement of live instrumental sound and electroacoustic sounds, which are blending into a soft sound language, in itself characterised as a meditation on presence, on that elusively intangible, unnameable tissue that binds us together in an inevitable gap between the subjects. This language is full of ‘unusual’ instrumentalist procedures, which pull the accordion away from its historical sound landscape and transform it into a sound object, on and over which sounds and noises are produced using different manoeuvres. Juhart, responsively and susceptibly ‘tracing the sound’, succeeded to bring out of this intertwinement a hidden, but shimmering emotive layer of the piece, which evasively radiates from the composition. And this quality is scarcely ever to be found in electroacoustic music. This insight can be attached to many Šaljić’s compositions, for example, to a more recent work, ‘So Close’, performed by Bojana Šaljić Podešva and a young saxophonist Maja Lisac. In 2006, Šaljić presented nine of her electroacoustic compositions from the period from 2000 to 2005 in an album ‘Welcome to the Dushaland’: some are rounded compositions; others originate from sound or multimedia installations. A programme-like writing on the cover of her album reads: ‘With what can I reach the events which will shake foundations and make the axioms questionable? ... There are still a lot of potential combinations. Undoubtedly, information is still coming’. We can understand this as a unique ethos and a wager, which is like a breath of fresh air in the undernourished space of contemporary music in Slovenia. Bojana Šaljić Podešva industriously puts this wager into action by collaborating with younger Slovene musicians, video artists, dancers, theatre directors, and electronic music makers. In the music area, she has collaborated with a colleague, composer Aldo Kumar on the one hand, and with a member of the duet Random Logic and the author of the project Medvedek Robotek (Teddy-bear Robot) Gregor Zemljič on the other. In theatre, she collaborated with Silvan Omerzu in many of his performances, also with Janez Pipan; in dance, with Katja Kosi, Ann Adamović, and Mojca Klemenčič; and in multimedia, with Boštjan Bugarič and Miloš Bartol. The latter three and Bojana are memb
HONEST, OPEN ADVICE ABOUT YOUR FILMMAKING CAREER
Are you about to leave Uni with a filmmaking degree? Or want to change careers and work in a creative industry? We want to give you the tools you need to enter the real world of production or freelancing. Honest and open career advice from people in the business.
We also talk to those in other creative industries to discuss their careers, the potential cross over with film production and practical tips for a successful and fulfilling career.
http://www.thehonestfilmmaker.co.uk
Are you about to leave Uni with a filmmaking degree? Or want to change careers and work in a creative industry? We want to give you the tools you need to enter the real world of production or freelancing. Honest and open career advice from people in the business.
We also talk to those in other creative industries to discuss their careers, the potential cross over with film production and practical tips for a successful and fulfilling career.
http://www.thehonestfilmmaker.co.uk
109 Episodes
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Avg Length 8m
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Latest episode 3 years ago
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The Ultimate Hi-Definition Disney Videocast Experience. A Celebration of the magical experience of being at the Disney Theme Parks and Resorts, brought to you by "The Disney Sounds Guy" Paul Barrie. "A WindowtotheMagic" is a Hi-Definition video journey into the wonderful world of the Disney Theme Parks, and the experiences which make those parks so fantastic. Containing ALL-NEW and ALL HI-DEFINITION VIDEO shot ON LOCATION at Disneyland in California and Walt Disney World in Florida, this show is just the fix every Disney fan (with an HD-TV or HD capable computer) needs when they can't get to the parks. Search WTTM in iTunes for more information and links to our other shows!
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Avg Length 82m
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Latest episode 13 years ago
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TAO G. Vrhovec Sambolec, (text by: Luka Zagoričnik) A composer of contemporary music, clarinettist and electronica musician, sound artist and maker of multimedia environments Tao G. Vrhovec Sambolec creates in all of the mentioned areas, while retaining his individuality and recognisability in each of the fields. This does not only unveil his acute sonic sensibility and a careful consideration of its traits but also an ear for a sound environment through which meanings are disclosed on different levels – social, artistic, architectural, and political. These elements are intertwined in a clear and distilled but never rigid concept. Tao first graduated at the Trondeheim Conservatory of Music in Norway as an instrumentalist, clarinettist, and then continued his studies at the Royal Conservatory in The Hague, the Netherlands, where he received another BA from music composition and an MA from ArtScience programme at the Interfaculty Image and Sound. As a composer, he has produced a series of works for smaller chamber, percussion, and other ensembles, which were performed at home and abroad. In his early period, he collaborated a lot with Marko Peljhan; later his works were performed in renowned international contemporary music festivals, such as Contemporanea in Italy, Gaudeamus Music Week, the Netherlands, and Forum Nueur Music in Germany. Tao G. Vrhovec Sambolec is active also in the field of free improvised music. In 2003, Vrhovec and the contrabassist Tomaž Grom established the duo Tilt, although a project with this name had been detected already in 1999 with the album ‘The Double’ in collaboration with the poet Primož Čučnik. Even prior to this, the project was called Muskafiber and featured the composer and accordionist Drago Ivanuša. The music of this period relied heavily on structural elements through the form of poem, poetry, singing, and speech, and often drifted into spontaneous, improvised soundscapes. Today, Tilt touches upon contemporary sonority in a digital milieu, drawing its expressivity from a liminal space between acoustic and electronically processed sounds. This space in-between is also the locus of spontaneous communication. But even though it is grounded in free improvisation, the improvising nevertheless suggests a composing sensibility that addresses through a wide spectrum of sounds, timbres, and real-time digitally processed sounds. Tilt released an album under the Slovene L’innomable label and received many good reviews in the national and international press, among other also in the British music monthly The Wire. The duo was successfully performing in different European capitals, as well as collaborated with numerous internationally acclaimed musicians. In the field of mixed media art practices, Tao gained further recognition with, for example, a series of installations, space interventions titled ‘Virtual Hole’ and ‘Virtual Mirror’. Recently, he is enjoying a growing international reputation also in the field of sound art, especially through his collaborations with the American musician and theoretician Brandon LaBell, author of ‘Background Noise – Perspectives on Sound Art’, one of the more influential discussions of sound art. Their last collaboration was the book and a CD ‘Manual for the Construction of a Sound as a Device to Elaborate Social Connection’ for the project ‘Virtual Mirror – Sound’. In this context, Tao this year received a ‘Hybrid Arts Honourable Mention’ at Ars Electronica in Linz for the work ‘Virtual Mirror – Rain’. A fusion of music, improvisation, and his interactive installation research can be seen in his work ‘Inside Out’, which he co-created with the acclaimed Austrian composer and trombonist Radu Malfatti. Tao has presented his works in Mexico, the Netherlands, Germany, Great Britain, Spain, Turkey, and elsewhere. Tao G. Vrhovec Sambolec is not only one of the most visible contemporary Slovene artists but – with his cycle of lectures, sound events, and concerts Bitshift t
1 Episodes
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Avg Length 5m
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Latest episode 17 years ago
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Coming to the Kennedy Center? ARTSEDGE, the Center’s educational media program, takes you in and around the building in this video series designed for kids and families.
Our connection with sound is deep and fanciful, scientific, social, psychological, cultural, even spiritual, sometimes mysterious, often surprising, but always fascinating. Join us on a journey of curiosity inspired by personal experience and real events, exploring everything that Sounds Interesting. Listen wherever you get your podcasts!
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Avg Length 19m
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Latest episode 13 years ago
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Jure Detela, Iztok Osojnik, Iztok Saksida: Podrealistični manifest (1979) Podrealistični manifest je izšel leta 1979 v samozaloženih Zbranih delih I Edicije Pest (s. 78-100). Natisnila jo je Tiskarna Društva mišično in mišično-živčno obolelih v 50 izvodih. Enega od njih danes hrani Mednarodni grafični likovni center v Študijskem kabinetu grafike, knjig umetnikov in druge tiskane efemere. V okviru razstave 9 + 9 Knjige umetnika in umetniki (23. 11. 2010 - 8. 2. 2011) je Iztok Osojnik manifest prebral v petih terminih. Zvočna realizacija javnih branj ter produkcija in arhiviranje podcastov Podrealističnega manifesta je delo radioCona, besedilo manifesta pa je prosto dostopno tudi na Indija.si, spletni knjižni polici Društva za domače raziskave: http://www.indija.si/podrealizem/. termini branj: 1. december 2010 ob 17. uri 3. december 2010 ob 12. uri 15. december 2010 ob 17. uri 23. januar 2011 ob 12.30 uri 28. januar 2011 ob 16. uri