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Marlon and Jake Read Dead People - Books We Wish We had Written

Books We Wish We had Written

Explicit content warning

08/04/21 • 56 min

1 Listener

Marlon and Jake Read Dead People

Literary speculation abounds as Marlon and Jake reveal which books they wish they had written and which they think would have been better if they’d been written by someone completely different. Listen in as they explore the questions you never knew you needed answers to. Would The Confessions of Nat Turner have been better if Zora Neale Hurston had written it? Who could have written a funnier Ulysses? Were members of the Bloomsbury Group actually total bores? And perhaps most important: Does Marlon’s mom still have his Tom Jones fan-fiction and if so, how much is Jake willing to pay for it? Tune in for all this and more, including a lively discussion about plays that are as enjoyable to read as they are to see on stage. (And spoiler: Jake is not a fan of A Midsummer Night’s Dream.)

Select title discussed:

  • Tom Jones by Henry Fielding
  • Dubliners by James Joyce
  • Tai-Pan by James Clavell
  • Wide Sargasso Sea by Jean Rhys
  • Before Night Falls by Reinaldo Arenas
  • The Quiet American by Graham Greene
  • A Bend in the River by V.S. Naipaul
  • Airships by Barry Hannah
  • Joseph Andrews by Henry fielding
  • Pamela by Samuel Richardson
  • The Luck of Barry Lyndon by William Makepeace Thackeray
  • Shōgun by James Clavell
  • Trent's Last Case by E. C. Bentley
  • The Moonstone by Wilkie Collins
  • The Woman in White by Wilkie Collins
  • Middlemarch by George Eliot
  • A Tale of Two Cities by Charles Dickens
  • The Obscene Bird of Night by José Donoso
  • The Confessions of Nat Turner by William Styron
  • Barracoon by Zora Neale Hurston
  • Terrorist by John Updike
  • Jane Eyre by Charlotte Brontë
  • A Room of One’s Own by Virginia Woolf
  • Ulysses by James Joyce
  • Angela’s Ashes by Frank McCourt
  • Orlando by Virginia Woolf
  • Mrs. Dalloway by Virginia Woolf
  • The Importance of Being Earnest by Oscar Wilde
  • The Edwardians by Vita Sackville-West
  • The Age of Innocence by Edith Wharton
  • House of Mirth by Edith Wharton
  • Highland Fling by Nancy Mitford
  • Heart of Darkness by Joseph Conrad
  • Don Quixote by Miguel de Cervantes
  • The Merchant of Venice by William Shakespeare
  • The Two Gentleman of Verona by William Shakespeare
  • A Midsummer Night’s Dream by William Shakespeare
  • As You Like It by William Shakespeare
  • Romeo and Juliet by William Shakespeare
  • An Ideal Husband by Oscar Wilde
  • His Girl Friday by Charles Lederer (screenplay), adapted from The Front Page by Ben Hecht and Charles MacArthur (play)
  • Sleuth by Anthony Shaffer
  • Amadeus by Peter Shaffer
  • Endgame by Samuel Beckett
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Literary speculation abounds as Marlon and Jake reveal which books they wish they had written and which they think would have been better if they’d been written by someone completely different. Listen in as they explore the questions you never knew you needed answers to. Would The Confessions of Nat Turner have been better if Zora Neale Hurston had written it? Who could have written a funnier Ulysses? Were members of the Bloomsbury Group actually total bores? And perhaps most important: Does Marlon’s mom still have his Tom Jones fan-fiction and if so, how much is Jake willing to pay for it? Tune in for all this and more, including a lively discussion about plays that are as enjoyable to read as they are to see on stage. (And spoiler: Jake is not a fan of A Midsummer Night’s Dream.)

Select title discussed:

  • Tom Jones by Henry Fielding
  • Dubliners by James Joyce
  • Tai-Pan by James Clavell
  • Wide Sargasso Sea by Jean Rhys
  • Before Night Falls by Reinaldo Arenas
  • The Quiet American by Graham Greene
  • A Bend in the River by V.S. Naipaul
  • Airships by Barry Hannah
  • Joseph Andrews by Henry fielding
  • Pamela by Samuel Richardson
  • The Luck of Barry Lyndon by William Makepeace Thackeray
  • Shōgun by James Clavell
  • Trent's Last Case by E. C. Bentley
  • The Moonstone by Wilkie Collins
  • The Woman in White by Wilkie Collins
  • Middlemarch by George Eliot
  • A Tale of Two Cities by Charles Dickens
  • The Obscene Bird of Night by José Donoso
  • The Confessions of Nat Turner by William Styron
  • Barracoon by Zora Neale Hurston
  • Terrorist by John Updike
  • Jane Eyre by Charlotte Brontë
  • A Room of One’s Own by Virginia Woolf
  • Ulysses by James Joyce
  • Angela’s Ashes by Frank McCourt
  • Orlando by Virginia Woolf
  • Mrs. Dalloway by Virginia Woolf
  • The Importance of Being Earnest by Oscar Wilde
  • The Edwardians by Vita Sackville-West
  • The Age of Innocence by Edith Wharton
  • House of Mirth by Edith Wharton
  • Highland Fling by Nancy Mitford
  • Heart of Darkness by Joseph Conrad
  • Don Quixote by Miguel de Cervantes
  • The Merchant of Venice by William Shakespeare
  • The Two Gentleman of Verona by William Shakespeare
  • A Midsummer Night’s Dream by William Shakespeare
  • As You Like It by William Shakespeare
  • Romeo and Juliet by William Shakespeare
  • An Ideal Husband by Oscar Wilde
  • His Girl Friday by Charles Lederer (screenplay), adapted from The Front Page by Ben Hecht and Charles MacArthur (play)
  • Sleuth by Anthony Shaffer
  • Amadeus by Peter Shaffer
  • Endgame by Samuel Beckett

Previous Episode

undefined - Gateway Books

Gateway Books

1 Recommendations

Marlon and Jake share their "gateway" books by dead authors, the first books they read that that turned them on—or off—the rest of an author's work. From John Steinbeck to Dorothy Parker, Umberto Eco to Norman Mailer, Ayn Rand to Carson McCullers, Marlon and Jake don't hold back in discussing the imprints, footprints, and thumbprints these books left on them. They also ponder the long-lasting consequences of the high school lit class, whether a gateway book can be assigned, and the enduring power of dullness in a novel, no matter the century. Listen for this and more, including what Marlon and Jake think of The Salt Eaters by Toni Cade Bambara, edited by one Toni Morrison.

  • The Pearl by John Steinbeck
  • The Red Pony by John Steinbeck
  • Cannery Row by John Steinbeck
  • East of Eden by John Steinbeck
  • Grapes of Wrath by John Steinbeck
  • Ethan Frome by Edith Wharton
  • The Old Man and the Sea by Ernest Hemingway
  • The Little Prince by Antoine de Saint-Exupéry
  • Mrs. Caliban by Rachel Ingalls
  • The Ballad of the Sad Café by Carson McCullers
  • Sula by Toni Morrison
  • For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf by Ntozake Shange
  • Night of January 16th by Ayn Rand
  • The Fountainhead Ayn Rand
  • Atlas Shrugged by Ayn Rand
  • A Wizard of Earthsea by Ursula K. Le Guin
  • The Dispossessed by Ursula K. Le Guin
  • One Hundred Years of Solitude by Gabriel García Márquez
  • Chronicle of a Death Foretold by Gabriel García Márquez
  • News of a Kidnapping by Gabriel García Márquez
  • Love in the Time of Cholera by Gabriel García Márquez
  • The Autumn of the Patriarch by Gabriel García Márquez
  • Enough Rope by Dorothy Parker
  • The collected poetry of Dorothy Parker
  • The Name of the Rose by Umberto Eco
  • Foucault’s Pendulum by Umberto Eco
  • The Island of the Day Before by Umberto Eco
  • In the hand of Dante by Nicholas Tosches
  • Ancient Evenings by Norman Mailer
  • Lady Chatterley's Lover by D. H. Lawrence
  • Miami and the Siege of Chicago by Norman Mailer
  • Harlot’s Ghost by Norman Mailer
  • An American Dream by Norman Mailer
  • Why Are We In Vietnam? by Norman Mailer
  • The Executioner’s Song by Norman Mailer
  • Look Back in Anger by John Osborne
  • Loot by Joe Orton
  • What the Butler Saw by joe Orton
  • Saturday Night and Sunday Morning by Alan Sillitoe
  • "The Loneliness of the Long Distance Runner" by Alan Sillitoe
  • Anna Karenina by Leo Tolstoy
  • Jude the Obscure by Thomas Hardy
  • Tess of the d'Urbervilles by Thomas hardy
  • The Return of the Native by Thomas hardy
  • Already Dead by Denis Johnson
  • The Salt Eaters by Toni Cade Bambara
  • The Lesson by Toni Cade Bambara
  • Gorilla, My Love by Toni Cade Bambara

Next Episode

undefined - Literary Grudge Match

Literary Grudge Match

Marlon and Jake take on literary giants in a grudge match for the ages. This time it's Charles Dickens vs. Anthony Trollope and Louisa May Alcott vs. Laura Ingalls Wilder in a no-holds-barred royal rumble. The two of them pull no punches, whether they're talking about racism or Edith Wharton's snobbery, colonialism or Hugh Grant's hair. So get ready to cheer on your favorite dead author and literary warrior as Marlon and Jake go mano a mano in a street fight you've definitely never come across before.

Select titles mentioned in this episode:

The Palliser Novels by Anthony Trollope
The Warden by Anthony Trollope
A Tale of Two Cities by Charles Dickens
Bleak House by Charles Dickens
Great Expectations by Charles Dickens
Little Dorrit by Charles Dickens
The Old Curiosity Shop by Charles Dickens
David Copperfield by Charles Dickens
Little Women by Louisa May Alcott
Little House on the Prairie by Laura Ingalls Wilder
Lorna Doone by R. D. Blackmore
Oliver Twist by Charles Dickens
Maurice by E. M. Forster
Stuart Little by E.B. White
The Grapes of Wrath by John Steinbeck
East of Eden by John Steinbeck
Travels with Charley by John Steinbeck
The Great Gatsby by F. Scott Fitzgerald
Nick Adams Stories by Ernest Hemingway
The Short Stories of Ernest Hemingway by Ernest Hemingway
Invisible Cities by Italo Calvino

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