Top 6 Lecture Podcasts

Podcasts to help the learning of human anatomy for doctors, medical students, nurses and anyone else who has an interest in human anatomy by Dr Robert Whitaker, Cambridge, UK.

Historic Royal Palaces are a team of people who love and look after six of the most wonderful palaces in the world. This fortnightly podcast brings you the history and stories of those palaces. You’ll hear from our experts and the people who bring our palaces to life, as we create space to explore how history moves us, telling stories about the monarchs you know, and uncovering the lives and histories of the people you don’t. Just like our palaces, this podcast is a mix of old and new. Each episode will have a different feel, from previously recorded live talks, to exciting new discussions and discoveries. You’ll have every opportunity to share in the history we love. Explore more history and stories from our six palaces hrp.org.uk

The Library's Music and the Brain events offer lectures, conversations and symposia about the explosion of new research at the intersection of cognitive neuroscience and music. Project chair Kay Redfield Jamison convenes scientists and scholars, composers, performers, theorists, physicians, psychologists, and other experts at the Library for a compelling 2-year series, with generous support from the Dana Foundation.

Thoughts on spirituality, Kabbalah, Jewish thought, Judaism and Relationships. Rabbi Yisroel Bernath is the Senior Rabbi at Rohr Chabad of NDG and the Jewish Chaplain at Concordia University in Montreal, Canada. Cherished for his incredible warmth and non-judgmental personality, this hipster is not your typical rabbi. In 2012, Rabbi Bernath founded the smashing success JMatchmaking International, a network of Jewish dating sites. He has made 104 matches (that he knows of) to date! In addition to being a matchmaker and dating coach, Rabbi Bernath is also the author of three books, and continuously produces engaging content on his many social media & podcast platforms. As a professional voice-over artist, screen-writer, and actor, he has been a part of dozens of productions, including the hit CBC Documentary "Kosher Love".

In addition to being the host of public television and radio travel programs and the author of over 50 travel books, Rick Steves is an active and charismatic lecturer. In Rick Steves Travel Talks you'll join Rick and his travel experts as they speak on topics ranging from European Travel Skills to Travel as a Political Act.

The Great Courses brings engaging professors from the best universities to lifelong learners on audio and video. We create a "university of the best," working closely with our customers to design each Great Course. With this podcast hosted by Ed Leon, you'll meet our fascinating professors and experts who create The Great Courses, listen to their stories and insights, and learn more about the great work they are doing. Discover scientists explaining the latest findings from the fields of astronomy, particle physics, or neuroscience; historians exploring the implications of the latest archaeological findings; medical experts making sense of current health alerts or medical breakthroughs; and literature professors bringing fresh insights to classic literary works. This podcast is available in audio-only format. More information about our courses can be found at www.TheGreatCourses.com.

CAD tutorial in Mechanical Design, WT13/14

Présentée par Augustin Trapenard, La Grande Librairie est le rendez-vous de l'actualité littéraire sous toutes ses formes : romans, essais, histoire, polars, bandes dessinées, jeunesse, etc.

Tous les mercredis soirs sur France 5, Augustin Trapenard convie sur son plateau des auteurs d’univers différents français et étrangers qui prennent le temps de se raconter et qui donnent ainsi l'envie de déguster des histoires, de dévorer les pages, de savourer les mots.

Ce sont les professionnels du livre qui l’affirment : La Grande Librairie est l’émission la plus prescriptrice de livres du PAF (Livres Hebdo, 20 août 2015).

Dans chaque épisode découvrez un nouveau conseil ou une critique culturelle que ce soit lecture, visionnage ou autre par un médiathécaire spécialiste en manga, jeux vidéo, jeux de société, Internet...

This podcast is the didactic lecture audio and procedure video from the University of Iowa Department of Emergency Medicine.

Radio Têtards, l’émission de radio pour les petites oreilles ! Chaque samedi et mercredi à 8h sur Radio Grenouille et à volonté en podcast. Un nénuphar qui coule au fil des histoires, des contes, des fictions sonores, des blagues et devinettes le tout porté par des ondulations musicales. Retrouvez de nombreuses voix : Samia, Tom & compagnies ; Claire et les élèves de l’école Boisson, JB ;Jojo, Clem & Lulu de l’association Raboul ; et Jaimito, accompagné de son papa et du petit Dizzy ! Des histoires, des contes, des fictions sonores, des blagues et devinettes, le tout porté par des ondulations musicales et des expériences pédagogiques.

Ilari Valbonesi - The Paradigm of Listening (Sound, Voice, Body, Audience, Radio Art Sound is attractive. It catches the ear, enchants, disturbs, and scares. But it is also imperative. Sound is both a means and an end. The decisive interest devoted to the "strange" reflexivity of sound became a paradoxical instance of art, music and philosophy in the twentieth century. Further, it has encouraged the emergence of a genuine "paradigm of listening" from which I take steps to trace the event of a conceptual category of plastic art so called Sound Art : Art of Sound, that reflecting on itself, defines its own historical context. Sound hits us where our disposition is already a move towards the "given" sound, for that hearing which accords and affords us whatever there really is to hear. Which means there is an "eventual" sound, which happens in-between me and the things in-between me and others: Sound originates "elsewhere" even though we are implicated. The sound of the voice is also erotic. It's like an intercourse in between own and alien. It's magnetic and it orients us in space, it defines boundaries and mixes the real and the imagined. We can experience the public nature of the audience, the spatiality of sound in its symbolic occurrences in buildings that accommodate the aesthetic experience of sound: the theatre, concert hall, the square from the gallery, and the auditorium of the woods. But this is not the proper meaning of sound in space, nor qualifies its access to a space. Sound is more of a timeless space. The body itself is an instrument that records its environment while reconfiguring existing environments. In 2004 I coined the phrase ‘Acusmatic ethics’ to describe the interspecific character of sound and its synthetic temporality. If we understand that listening to something is to record it, recording itself is also a kind of ‘answering’ behavior. Obviously, radio, tapes, samplers are able to isolate, alter and focus the processes of distribution and use of sound. But in this direction, "synthetic" claims is more of a "critique" of instruments and traditional research, including electronic, plastic art that belongs to music "educated" and that "popular" and doesn’t seem to characterize a specific field. This brought me to think of Radio as ethical space of sound and special environment of trading cultures and languages of contemporary art. written by: Ilari Valbonesi

Canary Call est le podcast dédié aux gens qui font la transition écologique et solidaire des entreprises. Je suis Perrine Grua et mon objectif est de convaincre de miser sur ces canaris qui sonnent l’alerte et agissent juste à temps. Animée par la curiosité de mieux les comprendre, pour mieux participer à déployer leur impact, j'ai décidé d'aller à leur rencontre. Dans ce podcast, vous allez faire la connaissance de ces femmes et de ces hommes qui font bouger les lignes au service d’une économie durable et inclusive : des engagé(es) issu(e)s de grands groupes, de startups, de l’entrepreneuriat social et solidaire, de l’art ; des professionnels des ressources humaines ou des managers qui identifient, valorisent, accompagnent ces profils ; des étudiants... Leur engagement est contagieux ! En les écoutant, les portes des possibles s’ouvrent et l’envie d’agir nous gagne.

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Peter Stamer : ON PRACTICE – AN ACRONYM (O PRAKSI – AKRONIM) Following three examples of his recent projects he is in involved in, Peter Stamer will provide some insight in his PRACTICE: a concept understood as PERFORMATIVE RESEARCH AND CHOREOGRAPHIC TOOLS IN CONTEMPORARY ENVIRONMENTS. In his presentation, Peter wants to to look at the following stakes: 1) what is PERFORMATIVE RESEARCH? in contemporary performance practice? (The question of KNOWLEDGE in theory and practice); 2) what can be understood by CHOREOGRAPHIC TOOLS? (The question of METHODOLOGIES); 3) how to conceive of space as CONTEMPORARY ENVIRONMENT? (The question of SETTING). Peter Stamer is a free-lance director, author, curator, and performer, based in Berlin and Vienna.

I pick a topic I want to know more about and dig into it for a year. 2017 is all about space! I'll look at anything that sends me down a research tangent. I do take requests, I don't keep it formal, I do my research, I don't like describing complex math but I do try. Wander with me into the cat’s-cradle tangle of society, history, science, and anything I thought was cool to mention.

HANS THIES LEHMANN - The position of the spectator in theatre today The spectator has become the central focus of reflection on performance and theatre since the theoretical/practical shift to the problem of what is the experience of an artistic (or artistically-motivated) gesture. This shift brings into focus the fundamental questions of spectating as an activity. This lecture will focus on several examples of different spectating as an activity. This lecture will focus on several examples of different spectating positions, and will in particular concentrate on a re-reading of the ancient concept of Anagnorisis, in the light of the debate around the polemics against »theatralicality«, which in a different understanding has become accepted as a positive qualification of performance art practice. HANS THIES LEHMANN is Professor of Theatre Studies at Johan Wolfgang Goethe-Universität, Frankfurt on Main, Germany and directs Master Program in Dramaturgy there. His numerous publications include: Theater und Mythos, Essays zu Theatertexten ... His seminal work Postdramatisches Theater has been translated into many languages, and he has also been widely publication on literary theory, contemporary theatre aestetics, and film.

Hey people, what’s really good? This page was created to find out just that! What’s Really Good!, and what’s just Really? This is how you participate: if you come across a story you think is good, place “Goody!-” before your post. If you find a story that is not really good, place “Really?-” before that post on the ReallyGoody.com facebook page. The top five posts with the most likes will be featured on the What’s Really Good show. Shows will be posted once a month on this website. For questions, comments, or if you would like to sponsor an episode, please give us a call at: (724) 96-GOOD-1 that’s (724) 964-6631 or send us an email at: [email protected]. We are looking forward to your posts-let’s find out what’s really good in our world today!

Mind-expanding long-form philosophy talks and discussions that are both rigorous and accessible. Recorded live from our annual themed lecture series, special lectures and our big debate, the series features leading figures in philosophy, from distinguished senior professors to up and coming talent. This is real, in-depth philosophy without the jargon, for minds that like a good workout. Presented by Julian Baggini, Academic Director of the Royal Institute of Philosophy.

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Recordings from the popular public lecture series featuring new work on all aspects of intellectual history. Hosted by the Institute of Intellectual History at the University of St Andrews.

Je me réveille et, tout de suite, je sais. Soit, c’est pas là. Soit, c’est là. Quand c'est là, y’a pas de répit. Quand c'est là, je me souviens même plus comment faire pour me sentir mieux. J’ai l’impression que ça va jamais s’arrêter. Ce qu’il me faudrait ces jours-là, c’est juste une voix qui fasse taire tout ça. Qui me dise : "Mais si, souviens-toi de ce livre-remède que t'as lu, de cet exercice que t’a appris ta psy, ou de tel outil !" ça pourrait être ma voix par exemple. Les jours où c’est pas là, je pourrais m’enregistrer en train de parler de ma maladie mentale de manière super drôle et cool et décomplexée, et peut-être même avec d’autres gens qui vivent ça... et on rirait. Et ça s'appellerait Passion Dépression. Musique de générique et visuel : © Arthur Milleville

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The San Jose Museum of Art is pleased to offer it's MUSE Award winning podcast. We strive to offer unique audio and video experiences that will help engage our visitors provoking thought and response. We invite you to subscribe to the SJMA PodCast so you will be informed of new content as it becomes available. We offer informational interviews with personalities from the art-world, downloadable exhibition tours for both our permanent collection and our temporary exhibits, and an occasional lecture. Let us know what you think by emailing: [email protected]! Visit our website at: www.sanjosemuseumofart.org. Please leave comments below!

The Augustine Institute serves the formation of Catholics for the New Evangelization. Through our academic and parish programs, we equip Catholics intellectually, spiritually, and pastorally to renew the Church and transform the world for Christ.

St. George & St. Joseph Coptic Orthodox Church, Montreal, Canada. Weekly Sermons.

Lars Brownworth, author of "Lost to the West" and creator of the "12 Byzantine Rulers" podcast presents "Norman Centuries", a podcast on the Normans. While popular Norman history focuses on the regions of France and England, Norman Centuries covers the lesser known Italian Normans as well. Visit us at http://NormanCenturies.com/

A public talk on the effect of social media on our social circles with Professor Robin Dunbar, University of Oxford.

High-yield ENT review lectures designed to maximize your preparation for the Otolaryngology in-service or board exam. Live. Listen. Learn.

Toni Cots and Marina Garcés - THE STRUGGLE WITH THOUGHT Politics is nowadays a semiotic battlefield in which we must conquer the words that have been removed from us. The actual form of censorship is not prohibition, but neutralization and disaffection. This is our crisis of words. In view of this expropriating logic reducing us to simple spectators of our own lives, we propose that the necessity to conquer the spaces of thought is a requirement for taking the world in our hands. Toni Cots is a choreographer, actor and general coordinator of L'ANIMAL A L'ESQUENA, a performing arts centre in Spain. For several years, he was a member of the Eugenio Barba theatre in Odin. Marina Garces, has a PhD in Philosophy from the University of Barcelona. She is a Professor of Philosophy at the University of Zaragoza (UZ) and Director of the Fundación Espai en Blanc. Since 2001, she has been the coordinator of the Espai en Blanc research project (www.espaienblanc.net), which, through practice, examines the possibilities and the potentiality of collective thinking. She wrote a book entitled “In the Prisons of the Possible” (Barcelona, 2002).

The "Lapses" project, developed for the Pavilion of Turkey, consists of projects that demonstrate how the perception of "occurring events" can vary and lead to the differing narrations of history because of lapses in collective memory. The project has been realized through works by two artists: Banu Cennetoglu's "CATALOG" and Ahmet Ögüt's "Exploded City". Both projects reveal the possibility for diverse memory formations or diverse narratives, conceivable through lapses. The project is accompanied by a book series of three volumes: the first volume which is edited by Basak Senova explores the conceptual framework, the process and the spatial design; the second volume, edited by Jalal Toufic, functions as the source, inspiration, reference for the entire project, consisting of philosophical articles; and the third volume, edited by Basak Senova, discuses "lapses" through four case studies. The book series was designed by Eray Makal, 12punto. The "Lapses" project is realized under the auspices of the Turkish Ministry of Foreign Affairs, with the contribution of Promotion Fund of the Turkish Prime Ministry.

Ivana Ivković - A Step into the Void: Cracks in Choreography We are used to looking at the dancer’s body in performance as a body that is continuously in motion, a masterful body productive in its movement, a non-interrupted kinetic spectacle. However, if we stop that body in passage and take a step forward, toward the idea of dance as an act that also includes periods without movement, cracks or “negative spaces” of dance, we open up to the potential for a structural use of the void and stillness in contemporary choreography. Stepping and walking, stillness and silence, jumping and falling – these are some of the notions that I will be using to describe the work of Leja Jurišič, Selma Banich and Željka Sančanin, referencing canonical authors Trish Brown and Steve Paxton. Ivana Ivković (1975) studies at the Department of Dramaturgy at the Academy of Drama Arts in Zagreb. She is the editor-in-chief of Frakcija Journal for Performing Arts and collaborates with several other publications, the Center for Drama Art and has worked as the general coordinator of Zagreb – Cultural Kapital of Europe 3000, a project jointly organized by Zagreb’s eight independent cultural organizations from the fields of performing arts, new media, visual arts, architecture and theory. She has collaborated in the past with Zagreb based independent theater company oour (dance productions: orangecut [2004], To be Confirmed [2005]) and is a member of collaborative artistic company BADco. (Deleted Messages, Fleshdance in 2004, research project in 2005, memories are made of this..., Protest and Negotiation in 2006, 1 poor and one 0 in 2008, The League of Time in 2009). She is the co-editor of the textual and pictorial reader DemoKino – Virtual Biopolitical Agora with Davide Grassi (Aksioma and Maska, 2006).

On the road training schools in Trust-Based Observations trainings, we periodically see absolute teaching brilliance during our 20-minute observations. It dawned on us that we have an obligation to share this brilliance with all teachers so they can learn and grow from one another. Each episode is an interview with one of these teachers where we explore their strengths as they share their tips and tricks. Tips and tricks that definitely lead to improved teaching and learning.

This podcast is the didactic lecture audio and procedure video from the University of Iowa Department of Emergency Medicine.

Ce podcast est juste une approche du Langage Parlé Complété (LPC). Il permet de visualiser la façon de coder des mots simples afin de pouvoir échanger au quotidien avec des élèves malentendants. Réalisé par "Les P.A.S. Comté" : http://lespascomte.free.fr

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Gesa Ziemer - COMPLICITY A COLLECTIVE ACTION IN ARTS AND DAILY LIFE Thuesday, February, 9th, 2010 at 7.00 p.m. Cankarjev dom, M1 Complices are partners that jointly decide to plan and execute a crime. Yet complicities are also a legal practice among artists, entrepreneurs and scientists. Complicity is a temporary and yet obliging and intensive form of collaboration. Using images and texts, this contribution calls for an artistic mode of research in which dance, music, business and science are to jointly pursue a social and artistic phenomenon. Gesa Ziemer is professor of Cultural Theory and Aesthetics at the Zürich University of Arts. At HafenCity University Hamburg Dean and Co-Director of the new programme "Metropolitan Culture". Member of the advisory board of Steirischer Herbst Graz and PACT Zollverein Performing Arts Choreografisches Zentrum Essen. www.gesa-ziemer.ch SLO: Gesa Ziemer SOSTORILSTVO SKUPNA AKCIJA V UMETNOSTI IN VSAKODNEVNEM ŽIVLJENJU Torek, 9. februar, 19.00 Cankarjev dom, M1 Sostorilci so partnerji, ki se odločijo skupaj načrtovati in izvršiti kaznivo dejanje. Toda sostorilstvo je tudi zakonita praksa umetnikov, podjetnikov in znanstvenikov. Sostorilstvo je začasna, a obvezujoča in intenzivna oblika sodelovanja. Ta prispevek z uporabo podob in besedil poziva k umetniškemu načinu raziskovanja, v katerem naj ples, glasba, gospodarstvo in znanost skupaj zasledujejo družbeni in umetniški fenomen. Gesa Ziemer je profesorica estetike in kulturne teorije na višji šoli za oblikovanje in umetnost v Zürichu. Na univerzi HafenCity v Hamburgu je predstojnica novega programa »Kultura metropole«. Je članica svetovalnega odbora festivala Steirischer Herbst Graz in centra za scenske umetnosti PACT Zollverein Performing Arts Choreografisches Zentrum Essen. WEB LINK: http://www.gesa-ziemer.ch

Globalization Since 1492 is a interdisciplinary university course that examines the complex historical nature of globalization. The class is broadcast live wednesday nights at globalizationstudies.org 6pm MST.

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Ce podcast a pour but de promouvoir la lecture de la Bible. Nous désirons lire toute la Bible en un an et vous encourager à faire de même. Que ce soit dans la voiture, dans le métro ou même en s’entraînant, pourquoi ne pas profiter de ces audio pour passer plus de temps à l’écoute de la Parole de Dieu?

The mission of the National Digital Information Infrastructure and Preservation Program is to develop a national strategy to collect, preserve and make available digital content for current and future generations. Collaboration and shared ideas are essential to the success of NDIIPP and all digital preservation institutions. These podcasts are conversations with digital preservation leaders with whom the Library is collaborating. A production of the Library of Congress Office of Strategic Initiatives and the National Digital Information Infrastructure and Preservation Program.

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Stefan Kaegi - ON BINOCULARS AND REMOTE CONTROLLED SPECTATORS (O DALJNOGLEDIH IN DALJINSKO VODENIH GLEDALCIH), 8 March 2010, 7.00 – 10.00 p.m., Cankarjev dom, M3/M4, Stefan Kaegi is an established international multidisciplinary artist. He stages living ready-mades or transplants experts onto the stage and into the grey zone between reality and fiction, using documentary material and theatrical interventions. Stefan Kaegi will show and comment short videos on recent productions of the Rimini Protocoll including Egyptian muezzins, Swiss airport-kids as well as 200 avatars remote controlled by a Canadian audience. Stefan Kaegi (Swiss) is a theatre director who focuses on the question of drama in everyday life. His works reflect documentary theatre, radio shows and works in urban places of diverse collective participation. The basis of his work is his research method combined with auditions and a conceptual process. His work stems from his desire to make the invisible voices be heard and identified as the voices of professionals. He is part of the Rimini Protokoll artistic group. He lives in Berlin, where Rimini Protokoll members are artists in residency at HAU. Project of Stefan Kaegi is supported by Ministry for Foreign Affairs of Republic of Slovenia, Pro Helevtie. Thanks to Embassy of Embassy of the Republic of Switzerland. Maska project is supported by: Anna Lindh Foundation, Ministry of Culture of the Republic of Slovenia

Lev Kreft - DRAMA V GLEDALIŠČU, DRAMA V ŠPORTU Članek Anthonyja D. Buckleya »Aristotel in kriket: drama v retrospektivi« (2006) je podaljšek razprave, ki jo je začel F. Keenan s tekstom »Športna tekma kot 'tragična' forma umetnosti«. Buckley svoj pripsevek sklene z mislijo, da ima lahko neka določena tekma, »čeprav ni umetniško delo, urejeno enotnost s formo Aristotelove 'kompleksne drame'«. Ob isten času se je David Osipovich lotil vprašanja »Kaj je gledališki performans?« (2006) in s tem navezal na razpravo, ki jo je sprožil simpozij »Uprizarjanje interpretacij« iz leta 2001, ko so se soočili David Z. Saltz, James R. Hamilton in Noël Carroll o nasprotujočih si interpretacijah in zgodovini teorij gledališkega performansa. V nasprotju z interpretacijskimi teorijami gledališča Osipovich trdi, da ima »performans lastno estetsko identiteto, ločeno od dramskega teksta«. Med antičnimi grškimi in modernimi olimpijskimi igrami obstaja veliko pomembnih historičnih razlik, in nič manjše niso razlike med grškimi – atenskimi dionizijskimi svečanostmi, katerih del je bilo tudi tekmovanje tragedij, in sodobnim gledališčem. Tradicionalnim modernim, že ne več aristotelskim teorijam gledališkega dogodka se danes postavljajo po robu postmoderne teorije gledališča, in nekaterim od njih lahko upravičeno rečemo, da so teorije performansa in gledališča performansa. Te teorije se zdijo na prvi pogled bolj »prijazne do športa« od onih, ki so vztrajale, da gre v gledališču za interpretacijo literarnega dramskega besedila. In če se medtem Keenan in Buickley še vedno trduita s proučevanjem športnih tekem z Aristotelovimi prijemi, se zastavlja vprašanje: ali sodobno razpravljanje o ontologiji gledališkega performansa lahko ponudi kaj podlage, na kateri bi se dalo razviti ne-aristotelski, a še vedno ploden dostop do ontologije modernih športnih tekem? In: ali lahko prestopimo od sodobnega gledališča in pripadajoče mu teorije, v drugo umetniško polje, torej polje performansa nasploh, da bi tam naleteli tudi na šport? Kar končno pomeni vprašati se, ali naj estetika športa začne pri lepoti športa, ali naj se osredotoči na njegovo performativno teatralnost? Dr. Lev Kreft predava estetiko na ljubljanski univerzi. Od leta 2004 je direktor Mirovnega inštituta. Objavil je več knjig s področja estetike in kulturne zgodovine, zadnjo, Vstop v estetiko (2005) skupaj z dr. Valentino Hribar – Sorčan kot univerzitetni učbenik. V zadnjih letih se ukvarja tudi s filozofijo športa, objavlja tekste s tega področja v mednarodnih revijah, jo letos prvič predava kot nov izbirni predmet na Filozofski fakulteti, in je predsednik Evropske zveze za filozofijo športa.

(english below) SLO: Kaj bo letos na 53. beneškem bienalu predstavila Srbija? Kdo so njihovi "aduti" sodobnoumetnostne scene in kdo utegne najbolj "vznemiriti" mednarodno javnost, nam je na predavanju v Projektni sobi SCCA "zaupal" Branislav Dimitrijević, komisar in kurator srbskega paviljona. Odločitev strokovnega odbora (Branislav Dimitrijević, Zoran Erić, Milica Petronijević, Milica Tomić, Stevan Vuković) je bila, da v paviljonu soočijo dve avtorski poetiki, med katerima se bo vzpostavil intencionalen, pa tudi naključen dialog. -------------------- ENG: Pavilion of Serbia at the 53rd International Art Exhibition - La Biennale di Venezia is open to become a space of dialogue between two art projects, thus far unrelated yet now jointly presented. Although they are artists of different generations, attitudes and philosophies, Zoran Todorovic and Katarina Zdjelar, share a common point in arguing that an artist is a free mediator within the space of social interaction, and that artistic subjectivity emerges only if situated in the frictions of a world constructed from social matter. They share determination to locate what is identified as contemporary art in the web consisting of social structures and individual resistances, yet they are taking this shared determination in different directions.

LitHouse is the English language podcast from the House of Literature (Litteraturhuset) in Oslo, presenting adapted versions of lectures and conversations featuring international writers and thinkers.

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Talks and conversations from the Sydney Opera House featuring the world’s greatest minds and culture creators.

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