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Apparently invisible. Chemistry in ceramics.

Zschimmer & Schwarz Ceramco

Aware of how complex the problems related to the world of chemistry applied to ceramic production processes can be, we want to share our knowledge with those who want to orient themselves or train for passion or profession.
Through a simple and direct language, the podcast aims to be an educational space with a focus on products, applications and processes.
The journey unfolds along the ceramic production lines.
At each stage a topic.
At each topic a critical issue.
At each critical issue, when possible, a solution.

...more

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Top 10 Apparently invisible. Chemistry in ceramics. Episodes

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Black core: origin of the problem and resolutive actions

Apparently invisible. Chemistry in ceramics.

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06/26/23 • 15 min

The black core is a localized area marked by a brown/black (or even white) color, clearly visible in the thickness of the ceramic tile.
Its presence is usually sign of inadequate oxidation and it has not to be considered as a defect that compromises the product functionality.
However it's a very serious aesthetic problem, especially if we consider the increasingly different intended use of ceramics.
The origins of this particular defect are many and, according to the specific production conditions, even the actions and solutions to reduce or prevent it can be different.
The episode focuses exactly on this topic, offering a journey that starts at the origins of the problem,and then ending with a range of possible interventions.
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06/26/23 • 15 min

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06/12/23 • 12 min

After introducing the topic in the previous episode and getting into the details of the problems that may arise before the inkjet application, this new episode focuses on the repellency phenomena that occur after the digital printing process at the interface between the solvent-based inks and the subsequent watery applications of glaze or grit suspensions.
The different chemical nature of the inks (non polar polymers) and all the water-based suspensions (polar), is the basis of the critical issue and it basically results in a incompatibility between the two applications due to a lack of interaction. Just like between water and oil.
The episode looks closer at the mechanisms behind the phenomenon, offering some effective actions to avoid or reduce it.
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06/12/23 • 12 min

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05/29/23 • 11 min

The ink-jet decoration - that has replaced traditional decoration systems - has removed several problems bringing out, however, new and more complex critical issues.
The new scenario has forced a different attention to all those applications that occur along the glazing line both before and after the digital printing process.
In particular, the different nature of the solvent-based inks, with respect to all the water-based applications of the glazing line (engobes, glazes, grits, etc.), often leads to repellency phenomena that can compromise the proper printing process. In addition, the glaze applied as a final protection (on the ink), when not accurately mixed with proper chemicals, may lead to excessive or low drainage, or even to phenomena of inhomogeneous ink's absorption.
What kind of action must be taken in all these cases? What are the PRIMERS usually involved and how do they work?
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05/29/23 • 11 min

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Chemicals for ceramic mixtures: a short overview

Apparently invisible. Chemistry in ceramics.

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05/15/23 • 18 min

The ceramic mixture usually used in ceramic production, largely consists of inorganic raw materials (clay, feldspar, sand, etc.), grinding water and chemical.
These mixtures, since they must be properly managed in the various stages of the production process - from grinding to pressing (or forming) - must be marked by specific and particular features.
In addition to this, the raw ceramic material, once it has been pressed, must have the right properties to prevent and avoid the problems that may occur along the lines (before entering the kilns) and to develop ceramic surfaces without aesthetic or technical defects.
To do this, the use of specific chemicals is a must.
What are the main chemical categories involved and added to ceramic mixtures?
What role do they play and what kind of actions do they promote?
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05/15/23 • 18 min

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Superficial halos formation during the drying process

Apparently invisible. Chemistry in ceramics.

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04/17/23 • 13 min

In ceramic, the drying process takes place inside dryers where raw tiles are placed on metal supports (roller stands) for a preset time, until the residual humidity's percentage is close to 0%.
The heating to which the ceramic body is subjected leads to a migration of the water molecules and so to their evaporation.
Sometimes this process can be not completely homogeneous over the entire surface of the tile.
More precisely: the parts of the ceramic body that rest on the basket rollers may have different evaporation times compared to those areas of the tile that are not in contact with the metal parts of the dryer.
This different evaporation process can sometimes produce striped halos on the surface that may remain visible even after the drying cycle. What are the reasons and the mechanisms of the problem and what kind of actions must be previously take to avoid it?
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04/17/23 • 13 min

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Chemicals & ceramic glaze application (Part two)

Apparently invisible. Chemistry in ceramics.

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04/03/23 • 12 min

In the previous episode, we offered a general overview on the most important chemicals normally used for ceramic glaze applications.
We went deeper by addressing all those categories that are used during the preparatory step, that is the grinding stage, moving later towards the glazing line where we focused on the so-called binders for glazes.
This episode closes the subject with a panorama about actions and benefits provided by surfactants, wetting and suspending agents, defoamers and binders usually added along the glazing line, when the production is already ongoing.
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04/03/23 • 12 min

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Chemicals and ceramic glaze application (Part one)

Apparently invisible. Chemistry in ceramics.

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03/20/23 • 15 min

The ceramic glaze application that takes place along the glazing line is one of the most delicate steps of the ceramic production process.
If you want to get high performances in terms of process and product, the glaze must be marked by proper rheological features that always change according to the application conditions of the production line.
The right formulation of glaze suspensions, therefore is a precondition for a proper application and a result without technical and aesthetic defects.
What are the most important categories of chemicals used for glaze suspensions?
How do they act, and what kind of problems do they solve?
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03/20/23 • 15 min

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Dry grit application by means of analogical systems

Apparently invisible. Chemistry in ceramics.

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03/06/23 • 12 min

In ceramic production, grit applications are mainly "wet applications" made by means of airless spraying systems.
A kind of application that involves a huge amount of water within which the grit is suspended. Nevertheless, in recent time a different application method is spreading.
We could define it as a dry method that, however, has nothing to do with digital systems (that involve, instead, the use of digital glues together with a dry application of grit).
Without forcing the words, in this case we could talk about "analogue dry application of grits".
How does this application work and what sort of features must the grit have to properly develop the process and to produce high-performing ceramic tiles?
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03/06/23 • 12 min

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Digital glaze application by means of non piezoelectric systems

Apparently invisible. Chemistry in ceramics.

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02/20/23 • 11 min

In the field of ceramics, glazes are usually applied on the raw tile by means of spray “analogical” systems (airless application system).
Nevertheless, recently some new application machines have appeared on the market.
They cannot be defined as completely digital but they cannot even be comparable to traditional analogue techniques. How do they work?
What kind of features should the glaze have to be properly applied?
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02/20/23 • 11 min

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07/24/23 • 14 min

In ceramic production, the use of digital glues for glaze and grit applications has almost completely replaced the spray/airless application system.
Even if each glue differently acts on glass powders and grits, there are two main categories that must be considered: solvent-based digital glues (based on non polar solvents) and water-based digital glues (based polar solvents and water).
This episode opens with a general introduction on the chemical nature of these products, then offering two important focuses on the operation and mechanisms of action that they develop on the raw tile support. Both with similarities and differences.
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07/24/23 • 14 min

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FAQ

How many episodes does Apparently invisible. Chemistry in ceramics. have?

Apparently invisible. Chemistry in ceramics. currently has 25 episodes available.

What topics does Apparently invisible. Chemistry in ceramics. cover?

The podcast is about Chemistry, Podcasts and Science.

What is the most popular episode on Apparently invisible. Chemistry in ceramics.?

The episode title 'Black core: origin of the problem and resolutive actions' is the most popular.

What is the average episode length on Apparently invisible. Chemistry in ceramics.?

The average episode length on Apparently invisible. Chemistry in ceramics. is 13 minutes.

How often are episodes of Apparently invisible. Chemistry in ceramics. released?

Episodes of Apparently invisible. Chemistry in ceramics. are typically released every 14 days.

When was the first episode of Apparently invisible. Chemistry in ceramics.?

The first episode of Apparently invisible. Chemistry in ceramics. was released on Nov 4, 2022.

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